Showbiz

The Runway Heist on Broadway: When Lagos Fashion Stepped into Theatre

Published

6 months ago

29/12/2025

Lagos fashion witnessed a defining creative moment as The Runway Heist on Broadway, a fashion-theatre production curated by BareFashionEvening, concluded to wide acclaim, positioning itself as one of the most conceptually ambitious runway experiences in the city’s recent fashion history. Far beyond a conventional fashion show, the production fused high fashion, live music, theatrical performance, and storytelling, reimagining the runway as a stage where garments, bodies, and narratives converged in a single immersive experience.

Inspired by the tradition of Broadway productions, the show unfolded as a cinematic performance rather than a linear runway. Carefully choreographed walks, dramatic lighting, expressive movement, live vocals, and dance sequences transformed the space into a living story. Each designer’s collection was intentionally staged to unfold as a narrative, allowing garments to communicate emotion, memory, and meaning rather than exist as isolated looks. The result was a multi-layered presentation that reflected the evolving identity of African fashion as expressive, collaborative, and culturally grounded.

Speaking on the creative direction behind the production, Jonarry Agraka, the convener of the event, described The Runway Heist on Broadway as a deliberate rethinking of how fashion should be experienced on the continent. According to him, the platform was created to move fashion beyond aesthetics and return it to its core as a medium of expression and storytelling. He noted that the intention was to create a space where designers, models, and creatives could tell honest stories through movement, sound, and performance, rather than being confined to the traditional runway format. Agraka further explained that the vision behind the show was to provide visibility and opportunity for emerging talent, encouraging collaboration, discovery, and creative freedom within the fashion ecosystem.

At the heart of the showcase was a carefully curated lineup of emerging and forward-thinking designers whose collections explored themes of memory, celebration, sustainability, structure, and contemporary African expression. One of the most emotionally resonant moments of the evening came from Ethnic Stitches, whose collection was inspired by her late brother, a painter whose artistic influence shaped her bold use of colour blocks. Remarkably put together in just ten days, the presentation stood as a tribute to love, loss, and creative inheritance. The moment her son presented her with flowers after the showcase became one of the night’s most touching scenes, capturing fashion’s ability to hold personal memory and emotion.

Creative Director of Sassy by Etty presented a collection titled “Essentials for Christmas,” built around a refined palette of blue, red, and black. Drawing inspiration from the festive season, she described the collection as a significant improvement on her previous work, citing stronger structure, clearer styling, and better overall execution. Her presentation reflected the confidence of a designer growing into her creative identity and refining her voice within the industry.

Sustainability features prominently through KODIELZZ, whose designs are created entirely from recycled waste. Rooted in faith and environmental responsibility, her collection reinforced the increasing relevance of eco-conscious fashion within Nigeria’s creative landscape. By transforming discarded materials into wearable art, her work highlighted the possibility of aligning fashion with purpose and accountability.

Architect and fashion designer Adebayo Oyenuga, who returned as both a guest and sponsor, described the event as a vital discovery platform for emerging designers. Having been impressed by previous editions, he returned to support the initiative, encouraging young creatives to remain original, committed to their craft, and open to continuous improvement. He noted that platforms such as The Runway Heist on Broadway are critical for uncovering new talent and sustaining the growth of the fashion industry.

Distinctively, the production challenged conventional modelling norms by positioning models as performers and storytellers rather than passive participants. The runway demanded emotional engagement, vulnerability, and expression. Model Enoch Adeoluwa described the experience as intense yet rewarding, highlighting the strong bonds formed during rehearsals and training sessions. He openly shared that he experienced a panic attack during rehearsals but was able to pull through with the support of a close friend, underscoring the emotional demands behind live performance.

Similarly, Ayomide Ayoola described feeling anxious, scared, and physically shaken before stepping onto the runway, but ended the show with a deep sense of fulfilment after overcoming her fears. For Umole Arnold, the experience stood apart from traditional fashion shows. He described it as a full Broadway-style performance filled with music, acting, and dance, admitting that while he was nervous at the beginning, he eventually found his rhythm and confidence. Dominance described the experience as marvellous, praising the outfits, makeup, and overall production quality.

International representation came through Lein, a Congolese-born model with Nigerian roots, who reflected on adapting to Lagos’ fashion scene despite early language barriers. Having relied on translation tools when she first arrived in the city, her participation highlighted the inclusive and global nature of the platform.

Music played a central role in shaping the emotional rhythm of the show. Singer Keleya, from Imo State, delivered live performances of three original songs that were seamlessly integrated into the runway narrative. She revealed that she performed without collecting a fee, choosing instead to use the platform to promote her music and connect with new audiences. Her contribution reinforced the collaborative spirit of the production, where creative expression took precedence over commercial considerations.

The event drew a diverse audience of industry professionals, creatives, sponsors, and fashion enthusiasts. Industry figures Demirah, Jeremiah, and Victor Bayo noted that such platforms provide valuable exposure, placing creatives before influential audiences and opening doors to future collaborations. Fashion enthusiast Oluwatosin praised the attention to detail in the event’s planning, from the smooth red-carpet experience to the quality of the audience, describing the show as defined by excellence, poise, and luxury. Former models Hannah and Rosemary attended to reconnect with the creative energy of the runway and observe emerging talent, while emerging designer Maryjane of Black by MJ, accompanied by Deborah, attended with the intention of learning and preparing for future participation. Fashion model and designer Ochanya, from Benue State, described fashion as her happy place, expressing excitement about drawing inspiration from the showcase.

More than a fashion event, The Runway Heist on Broadway emerged as a cultural statement, affirming that African fashion is evolving beyond presentation into performance, narrative, and emotional engagement. It demonstrated that when fashion collaborates with theatre, music, and movement, it becomes a powerful medium for storytelling and cultural expression. As Lagos continues to position itself as a global creative capital, The Runway Heist on Broadway stands as a compelling example of how African fashion can innovate boldly, speak authentically, and command lasting attention.

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Watching BBN and the World Cup Is No Longer a Location Thing

Published

2 days ago

10/06/2026

Business Post Contributor

Big Brother Naija Reunion is on, the World Cup tournament is kicking off, or that new DStv/GOtv series everyone has been talking about just dropped, and somehow, you’re not at home. Maybe you’re in traffic, at work, or just not near a TV. In moments like these, the real question is no longer “what’s showing?” but “how do I not miss it?”

That shift is precisely why the DStv and GOtv Stream have become more than just viewing platforms. They are now part of how people actually experience television on the move, at home, on phones, and in real time.”

Whether it’s someone trying to catch a live show while commuting, watching highlights during a break at work, or simply preferring to stream directly from their device instead of using a decoder, these apps have quietly changed how entertainment is consumed.

But beyond streaming and access, many users still don’t fully understand how to navigate them properly. Here’s a simple guide.

1. Getting Started

Download the DStv Stream or GOtv Stream app from your device’s app store and sign in using your DStv or GOtv account details.

Once you’re logged in, you’ll land on the home page, where you’ll find a mix of live TV, recommended content, trending titles, and recently added shows.

2. Watching Live TV

One of the easiest ways to use the platform is through the Live TV section.

Simply:

Tap on Live TV
Browse available channels
Select the channel you want
Start watching instantly

This is especially useful for:

Big Brother Naija live broadcasts
Football matches and tournaments
News coverage
Reality shows
Live events

You can move between channels just as you would on a decoder.

3. Finding Shows and Movies

For viewers who already know what they want to watch, the search feature offers a quick way to find specific shows, movies, channels, or sporting events without scrolling through categories.

The platform also organizes content into categories, making it easier to discover something new.

4. Catch Up on Missed Episodes

If you missed an episode because you were busy, the catch-up feature allows you to watch selected programs after they have aired. Instead of waiting for reruns, you can simply search for the show and pick up right where you left off. This feature is especially useful during busy periods when it can be difficult to keep up with daily shows.

5. Explore Recommended and Trending Content

The home page regularly highlights:

Trending shows
Newly added content
Popular movies
Recommended titles based on viewing habits

If you’re not sure what to watch next, this section can help you discover content you may have otherwise missed.

6. Accessing Showmax Content

One of the biggest additions to the streaming experience is the integration of Showmax content.

Viewers can now access a wide range of Showmax movies, series, and entertainment content directly through the streaming platform, making it easier to move between live TV and on-demand viewing without constantly switching services.

From international blockbusters to local favorites, there’s significantly more content available to explore.

7. Creating a Personal Viewing Experience

The platform allows users to:

Continue watching from where they stopped
Save favorite content
Browse viewing history
Discover personalized recommendations

This makes it easier to keep track of ongoing series and find content that matches your interests.

With the DStv Stream and GOtv Stream, live channels, catch-up viewing, on-demand entertainment, and Showmax content are all available in one place, making it easier than ever to watch what you want, when you want, and wherever you are.

Showbiz

Drama, Tears, and Showdowns: BBNaija Reunion Starts on Heated Note

Published

3 days ago

09/06/2026

Business Post Contributor

The Big Brother Naija Season 10 reunion kicked off yesterday, and honestly, nobody was prepared for how quickly things went from zero to heated. From unresolved tensions to emotional confessions, it looks like the housemates came ready to finally say everything they’ve been holding back.

If episode one is anything to go by, the rest of the reunion is set to be explosive.

Here are some of the highlights from Episode 1 of the reunion:

Sabrina opened up about her early exit, saying that if she had stayed longer, viewers would have seen more of her personality, and that a love interest storyline likely wouldn’t have happened.

Tracy reflected on her time in the house, admitting she didn’t feel emotionally prepared for the experience. She also expressed that while she wanted a deeper connection with Kuture, things felt too physical for her.

Zita revisited her time in the house as well, insisting her fight with Mide was not performative and that she often felt cornered by how things played out. Mide, however, pushed back, saying Zita misunderstood her intentions and that she is not condescending.

Zita and Danboskid also addressed their failed “ship,” finally laying the relationship drama to rest.

Thelma had an emotional moment while defending herself in the Isabella and Kayinkumi situation, with tensions rising further when Big Soso jumped into the conversation, escalating things between her and Thelma.

We also saw more tension unfold between Tega and Thelma, with revelations that added even more weight to their already strained dynamic.

And just when we thought it couldn’t get any hotter, the episode ended on a cliffhanger, with Kola and Doris going head-to-head, leaving viewers waiting for what comes next.

If this is just episode one, the rest of the reunion promises nothing short of chaos, clarity, and confrontations.

Big Brother Naija S10 reunion is clearly not holding back this year. You can catch all the drama at 10 pm on Africa Magic Showcase and 10:30 pm on Africa Magic Family on DStv and GOtv.

Showbiz

SuperSport Wakes Up the Continent with ‘The Morning Cup’ – A FIFA World Cup Daily Breakfast Show Like No Other

Published

3 days ago

09/06/2026

Business Post Contributor

Nigerian comedy heavyweight Basketmouth and South African broadcast royalty Phat Joe lead a pan-African cast in a new morning show blending football, culture, lifestyle and entertainment.

As the 2026 FIFA World Cup kicks off across the globe, SuperSport will launch The Morning Cup, a live daily breakfast show designed to redefine how fans start their World Cup mornings.

Premiering on Wednesday, 10 June, the show brings together football, music, entertainment and conversation in a fast-paced, pan-African studio format.

Anchored by SuperSport presenters Lwazi Ziqubu and Fiso Mazibuko, the show features Basketmouth, Phat Joe, Sarah Hassan and Sirayah Shiraz as part of its rotating co-host lineup.

“I am excited because it is different,” Basketmouth says. “It is not just football, it is an experience. Music, culture, our vibe, everything coming together from a perspective you will not find anywhere else.”

“I will be hanging out with some really funny guys, too. Humour is everywhere, and my job is to find those moments and bring them into the conversation.”

On what to expect from him on the show, he adds:

“We are your recovery crew, replaying the best moments you might have missed and keeping it fun. I am bringing the Naija flavour into it. SuperSport did great with this one.

For Phat Joe, the show marks both a return and a new kind of stage.

“Look, anytime you get a call from SuperSport to do a show for a billion people, you answer,” he says.

“But when it’s for a brand-new show with a fresh format and a pan-African cast of hosts? That’s not just a gig, that’s an invitation to be part of something special. I’m hyped to be back in the building. I never left TV, I just took a strategic pause.”

Highlighting the tone of the show, he adds:

“The energy. Most shows talk at you. The Morning Cup feels like it’s waking up with you, family fun every morning with your favourite personalities during the World Cup. Morning TV means I actually get to sleep like a normal human being again. So, my wife is thrilled.”

Earlier today, the cast teased the launch through a cross-continental radio takeover, with Basketmouth on Brila FM in Nigeria and Phat Joe on 947 in South Africa, giving a preview of the show’s tone of banter and chemistry.

And that chemistry, according to Phat Joe, is already questionable.

“Chemistry? What chemistry? I think the producers messed up. I’m asking them to recast some of the positions as we speak,” he jokes.

“Sarah Hassan is a math nerd. You know she studied to be an actuarial scientist? Actress, my foot. She’s going to be busy trying to predict when all the cast members are going to die.”

“Basketmouth is probably going to try to re-kick-start his rap career again on the show for the umpteenth time. The only cast member I like is Sirayah. The producers needed someone to make me look taller, she’s 4’11”, you know.”

Kenyan actress Sarah Hassan brings a contrasting energy to the lineup.

“I am incredibly excited. It’s a true honour to work alongside Joe and the pan-African team. It’s great to be on a show that’s going to give perspectives from all over Africa with hosts from all parts of the continent. It’s a truly African morning show,” she says.

“I’m loving every moment of this journey and honestly don’t want it to end. This is an absolute dream come true. To be here at SuperSport hosting a show of this magnitude, at such an exciting time for football, is fantastic. I am truly at a loss for words.”

She adds: “Being in South Africa right now, it only feels right to throw my full support behind Bafana Bafana. My beloved Kenya would always be my first choice if they were here, but in their absence, I’m Bafana all the way.”

Set against a communal, vibrant backdrop, The Morning Cup captures the rituals and emotions that define the World Cup experience.

Viewers can expect international football legends, daily hot takes, round-table discussions, comedy inserts, fashion segments and on-the-ground content from across Africa and the United States.

Fans can tune in daily from Wednesday, 10 June at 6:00 am to 7:00 am on SuperSport’s FIFA World Cup Central (DStv Channel 202), with multiple replays and on-demand viewing available on DStv Stream and GOtv Stream.