Media OutReach
Wuxi Shows What It Takes to Become a UNESCO City of Music
The announcement was followed by a celebratory festival on Wuxi’s Bogong Island on the afternoon of Saturday 15 November, of which it seemed all of Wuxi wanted to be a part. Therein, Secretary of the UNESCO Creative Cities Network Denise Bax (UCCN), within the Culture Sector of UNESCO, presented Mayor of Wuxi Jiang Feng with the approval letter recognising Wuxi as a “World Music Capital”.
In her inspiring speech, Bax said, “I would like to pay tribute to you, the citizens of Wuxi. In this city, music is not only performed and celebrated, but also believed and shared as the universal language that unites communities. … In becoming a UNESCO Creative City of Music, Wuxi joins a global community of cities that believe in the transformative power of culture”.
City of Music is a designation appointed by UNESCO to a number of cities around the world “that have identified creativity as a strategic factor for sustainable urban development”. Wuxi hereby joins cities such as Glasgow in the United Kingdom, Abu Dhabi in the United Arab Emirates and Kingston in Jamaica. Some 84 cities to date have been granted the distinction.
Saturday afternoon’s excitement also featured a brass band, a children’s lakeside erhu ensemble, captivating dance from a school for the visually impaired, plus much more.
A group of performers’ faces beamed, alive more than perhaps ever before, still fresh from the exciting recent news. And now, a foreign internet celebrity had come to sing with them, as their brass band performed for senior residents in a Wuxi retirement community.
That brass-band orchestra was comprised mainly of entrepreneurs—company owners who choose to spend what little free time they have pursuing what they love. Their enthusiasm is a crucial ingredient in why Wuxi has won such a prestigious worldwide honor.
Practicing together for 10 years, the Wuxi Entrepreneur Art Troupe has played almost every venue imaginable: retirement communities, universities, enterprises, the army, children’s events, New Year’s dinners and more. For them, Wuxi as a City of Music is a dream coming true. The highlight of their visit was the Troupe’s orchestra performing as backing for Shanghai-based French celebrity singer Alice Roche the following day.
Still within the voluntary sphere, Vice President of the self-organized Wuxi Saxophone Club Xiao Zhengqing teaches more than 400 amateur saxophonists. They come from different industries, but they all love music and saxophone. Xiao even took them to participate in the World Saxophone Congress this year, making these citizens of Wuxi who love music very popular.
Elsewhere, the city centre is the surprising home of the Wuxi National Orchestra. Guo Pan, a graduate with both bachelor’s and master’s degrees from the Composition and Conducting Department of the Shanghai Conservatory of Music, is the Orchestra’s Assistant Conductor—a notable achievement in a profession mostly dominated by more senior males.
Principal flautist Wang Yijing, who graduated with a bamboo flute major from the Central Conservatory of Music, feels that the UNESCO distinction will bring more musical events to Wuxi, encouraging more people to make the city an essential bucket-list item.
Meanwhile, Jason Hao, who plays double bass for the Orchestra, has dreams in a faraway land. He hopes to pursue his musical aspirations in the world of jazz in the USA, and believes Wuxi’s musical award might in some way enable this.
For evidence of Wuxi’s deep musical heritage, the Hongshan Relic Museum within the Grand Canal National Culture Park provides compelling examples. The Original Site of Qiu Chengdun’s Warring
States noble tomb includes 400 pottery replicas of bronze musical instruments unearthed from seven aristocratic tombs, underscoring music’s ancient presence in the region.
Wuxi also embraces the synergy between sight and sound. This is explored in the century-old building that now houses the Sound Hall within Wuxi’s Yingyueli in Huishan Ancient Town. Visitors can don headphones to hear recordings of the Yangtze River or various music genres, while browsing an extensive selection of vinyl records—overlooked by a colossal cyber statue of legendary erhu player A-Bing.
That Wuxi native’s influence is pervasive. At the Meicun Erhu Industry Park, a three-metre-long python skin is displayed as a highlight exhibit. This cultural and tourism venue showcases erhu craftsmanship and allows visitors to experience the making process. Techniques such as the searing of python skin—complete with its distinctive smell—demonstrate why the erhu stands out as a supreme example of intangible cultural heritage.
Connections between traditional and modern sound are also visible in the work of Kent Zhang, curator of a comprehensive audio museum. With tens of thousands of exhibits spanning audio cassettes, open-reel tape machines, Walkmans, Discmans, Digital Audio Tape and Minidisc players, plus signed albums from stars such as Michael Jackson and Jimi Hendrix and platinum-certified discs by Madonna and U2, Zhang has spent more than 20 years collecting globally and building a purpose-designed facility. It is, in essence, a City of Music within a City of Music.
Zhang’s reasoning is simple: the world—especially today’s youth—needs to understand the origins of the global modern music legacy.
Back with the Wuxi National Orchestra, Guo Pan’s aspirations have been bolstered by Wuxi’s UNESCO distinction. She laughs when asked whether it might increase her chances of conducting at the national level: “Of course.”
Guo’s conviction is infectious. The juxtaposition of musical traditions spanning thousands of years with state-of-the-art technology is further illustrated at the Digital Intelligence Center of Xingcheng Special Steel in Jiangyin City. Historically known for heavy industry, Wuxi is now integrating advanced technology with cultural vitality—and music is one of the beneficiaries.
The choir of steel workers performing in full voice offers a compelling demonstration of Wuxi’s musical culture and spirit. Their performance stands as one of the clearest affirmations of Wuxi’s qualification as a UNESCO City of Music.
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Today’s biggest stars express individuality and confidence with natural diamonds
LOS ANGELES, US – Media OutReach Newswire – 6 February 2026 – At this year’s GRAMMY Awards, the Red Carpet sparkled with natural diamonds punctuating the looks of today’s most celebrated music artists.
Leading artists, performers and presenters showed up for music’s biggest night in diamond jewelry looks that spoke to creativity, individuality, glamour and power. From nominees Olivia Dean and Sabrina Carpenter to presenter Keltie Knight’s choices, natural diamonds expressed not only the timeless glamour and brilliance they’re known for, but their ability to amplify personal style. Natural diamonds were spotted in a range of tones from icy whites to deep whiskeys, and in settings from platinum to rose gold. Just as Hollywood stars are hitting the Red Carpet this year in Desert diamonds, the biggest new trend in natural diamonds, musical artists are experimenting with a bolder diamond palette, creating a more personality-driven red carpet.
Desert diamonds
Desert diamonds, ranging from warm whites to deep whiskeys, were spotted everywhere, including on presenter Keltie Knight, who opted for unique diamond and yellow gold hoops by RENNA, as well as a smattering of yellow gold, fancy-shaped diamond solitaire rings from the brand. Highlights also included power player J Balvin who chose a clean and classic tuxedo paired with a large cushion cut yellow diamond ring that added a nice balance to the traditionally masculine look.
Simple Drops
Simple drop earrings emerged as a quiet standout at the GRAMMYs, proving that restraint can be just as impactful as large statement pieces. Addison Rae and Madison Beer leaned into effortless glamour, choosing sleek diamond drops that framed the face with subtle movement and modern elegance. Billie Eilish brought her signature edge, using pared-back diamond drops to balance her bold black and white suiting. Kelsea Ballerini elevated the look in Sabyasachi, where refined diamond drops added softness and romance, while Reba McEntire turned to Martin Katz for timeless brilliance, opting for classic diamond drops that were sure to catch the eye.
Diamond Hoops for Men
Men are increasingly embracing minimalist yet impactful diamond hoop earrings as a refined accessory choice. Bad Bunny paired his sharp Schiaparelli tuxedo with a single diamond hoop earring, bringing a subtle but polished sparkle to his look that perfectly balanced his experimental sartorial vibe. Kaytranada’s red carpet presence and inclination for understated yet stylish accessories suggest that simple diamond hoops align naturally with his fashion-forward aesthetic. This trend points to a broader moment in men’s red carpet jewelry: pared-back diamond hoops that provide polished shine without overpowering the rest of the ensemble, signaling a move toward jewelry that feels personal, versatile, and modern.
Rings
Rings at the GRAMMYs reflected a dual trend of bold expression and refined delicacy, underscoring natural diamonds’ versatility. Sabrina Carpenter complimented her look in Chopard, opting for diamond rings that delivered impact without overpowering her look, while Sombr also made a striking impression with a diamond ring that was perfect high-jewelry shine to go with his existing sequined ensemble. In contrast, Olivia Dean showcased a more delicate approach in Cartier High Jewelry, layering elegant diamond rings that emphasized timeless sophistication perfectly echoing her Chanel gown. Miley Cyrus made perhaps the boldest ring statement of the night with several diamond rings stacked and worn over leather gloves.
Necklaces
Necklaces at the GRAMMYs showcased how natural diamonds can define both quiet refinement and bold presence on the red carpet. On the delicate end of the spectrum, Charlotte Lawrence in Messika exemplified understated luxury with a finely crafted diamond necklace that traced the neckline proving that less is more. In contrast, Hailey and Justin Bieber turned heads with matching Lorraine Schwartz statement diamond neck pieces that anchored their looks. Tate McRae also grabbed attention with a 50 carat Lorraine Schwartz necklace, while Pharrell Williams elevated his ensemble with a striking diamond necklace that blended artistry and scale. Together, these moments underscored a versatile necklace trend: from minimalist diamonds that whispered elegance to oversized, expressive pieces that commanded attention. Natural diamonds continue to serve as dynamic anchors in personal style storytelling.
Hashtag: #ADiamondisForever #NaturalDiamonds #diamonds #GRAMMYS
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The issuer is solely responsible for the content of this announcement.
About De Beers Group
Established in 1888, De Beers Group is the world’s leading diamond company with expertise in the exploration, mining, marketing and retailing of diamonds. Together with its joint venture partners, De Beers Group employs more than 20,000 people across the diamond pipeline and is the world’s largest diamond producer by value, with diamond mining operations in Botswana, Canada, Namibia and South Africa. Innovation sits at the heart of De Beers Group’s strategy as it develops a portfolio of offers that span the diamond value chain, including its jewellery houses, De Beers London and Forevermark, and other pioneering solutions such as diamond sourcing and traceability initiatives Tracr and GemFair. De Beers Group also provides leading services and technology to the diamond industry in the form of education and laboratory services and a wide range of diamond sorting, detection and classification technology services.
De Beers Group is committed to ‘Building Forever,’ a holistic and integrated approach to sustainability that underpins our efforts to create meaningful impact for the people and places where our diamonds are
discovered. Building Forever focuses on three key areas where, through collaborations and partnerships around the globe, we have an enhanced ability to drive positive impact; Livelihoods, Climate and Nature. De Beers Group is a member of the Anglo American plc group. For further information, visit www.debeersgroup.com.
Media OutReach
ICONSIAM Drives Its Destination Marketing Strategy to Elevate Bangkok as a Global Chinese New Year Destination
Featuring Renowned Actor Wang Zhuo Cheng and T-Pop Sensation BUS to Boost Thai–Chinese Tourism Economy
BANGKOK, THAILAND – Media OutReach Newswire – 5 February 2026 – ICONSIAM, the global landmark on the banks of the Chao Phraya River, announces a major collaboration with leading public and private partners—including the Ministry of Culture (Thailand), the Tourism Authority of Thailand (TAT), KASIKORNBANK, CP AXTRA “Makro – Lotus”, Alipay +, and Tiger Balm—to host a world-class Chinese New Year celebration. Reinforcing its Destination Marketing strategy, ICONSIAM aims to position itself as one of the world’s premier Chinese New Year destinations through festivities that blend Thailand’s cultural heritage with revered Chinese traditions. A key highlight is ICONSIAM’s spiritually significant location, known as the “Dragon’s Belly,” a powerful symbol of prosperity along the most beautiful curve of the Chao Phraya River. To honor the Year of the Horse, a sacred statue of Guan Yu—the deity of honesty, loyalty, and righteousness, will be enshrined. The celebration will feature world-class entertainment led by renowned Chinese actor Wang Zhuo Cheng and T-Pop Sensation BUS, alongside dragon and lion dances, festive street food, shopping, and cultural experiences. ICONSIAM is confident that foot traffic and spending within the destination will grow by more than 10%, helping to stimulate overall economic activity and tourism in the first quarter. The event will take place from 12–17 February 2026 at River Park, ICONSIAM.
Mrs. Suma Wongphan, Executive Vice President of ICONSIAM Co., Ltd. said “This event reaffirms ICONSIAM’s role as a Global Experiential Destination that captivates visitors worldwide. Our ambition is not only to elevate Thailand’s tourism experience, but also to celebrate the deep-rooted ties between Thailand and China. We have curated a landmark festival that seamlessly blends traditional beliefs with contemporary artistry, creating a special experience to attract global audiences to witness the most magnificent Chinese New Year celebration along the Chao Phraya River. Alongside the cultural aspects, ICONSIAM enhances the festive experience through its ‘Lucky Angpao Mega Campaign’, offering over 8,300 prizes, with expectations of driving more than 10% growth in visitor traffic and 10% increase in consumer spending during the campaign period.”
The 2026 Chinese New Year season is expected to generate significant economic impact across Thailand’s tourism sector, aligning closely with the Tourism Authority of Thailand’s strategy in setting the target of attracting 6.7 million Chinese visitors under ongoing visa-free measures. ICONSIAM is confident that the scale and creativity of this celebration will serve as a powerful catalyst in advancing Thailand’s tourism and retail sectors to global prominence.
The ICONSIAM A Prosperous Chinese New Year 2026 key highlights include:
- Landmark of Blessing: Visitors are invited to experience profound spiritual power at The Auspicious Guan Yu Shrine, featuring the enshrinement of five sacred manifestations of Guan Yu, brought directly from the People’s Republic of China for the first time in Thailand. Enhancing the experience is the Interactive Blessing Pavilion, showcasing the “Eight Auspicious Horses” through cutting-edge interactive technology that breathes new life into ancient mythology.
- Prosperous Celebration: The riverside comes alive with a world-class cultural spectacle led by the appearance of globally renowned Chinese actor Wang Zhuo Cheng, who joins the grand procession of the legendary ‘Long Ma’ (Dragon Horse), a mythical creature stretching over 32 metres in length, symbolising success and progress. The celebration is further energised by a breathtaking performance of the dragon-horse dance by Thailand’s leading T-POP sensation BUS (Because of You I Shine), creating a powerful fusion of tradition and contemporary pop culture.
- The Miracle of Fountain: At ICONSIAM’s iconic river curve — regarded as the most beautiful bend of the Chao Phraya, visitors will witness the mesmerising “Chao Phraya River Dragon Multimedia Water Feature,” the longest of its kind in Southeast Asia, featuring a choreographed spectacle of dancing fountains, light, and sound.
More than a celebration, ICONSIAM A PROSPEROUS CHINESE NEW YEAR 2026 is a cultural phenomenon that positions Bangkok as one of the world’s most compelling festive destinations. Be part of this extraordinary celebration from February 12–17, 2026, at River Park, ICONSIAM. Discover upcoming events and the latest updates via ICONSIAM’s Facebook at www.facebook.com/ICONSIAM or call 1338 for more information.
Hashtag: #ICONSIAMCNY2026 #ICONSIAMaProsperousChineseNewYear2026 #ICONSIAM
The issuer is solely responsible for the content of this announcement.
Media OutReach
DFI Retail Group to Announce 2025 Full Year Financial Results and Host Analyst Presentation Live Webcast
Time: 09:30-10:30 am (Hong Kong Time)
Hashtag: #DFIRetailGroup #Mannings #Guardian #7-Eleven #Wellcome #MarketPlace #IKEA #yuu
The issuer is solely responsible for the content of this announcement.
About DFI Retail Group
DFI Retail Group (the ‘Group’) is a leading Asian retailer, driven by its purpose to “Sustainably Serve Asia for Generations with Everyday Moments”.
At 1 December 2025, the Group and its associates operated over 7,400 outlets, and employed over 81,000 people across 12 markets.
The Group is dedicated to delivering quality, value and service to Asian consumers through a compelling retail experience, supported by an extensive store network and highly efficient supply chains.
The Group and its associates, operates a portfolio of well-known brands across five key divisions: health and beauty, convenience, food, home furnishings and restaurants.
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