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EPL: Understanding Man City’s Grip on the League

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Man City's Grip

So much for an unprecedented three-team title race. Understanding the odds to win the EPL does not take a genius. Instead, Guardiola and his team have given the Premier League something it has never seen before. They’ve altered the competition’s entire complexion. To use Guardiola’s words, they have “destroyed the Premier League.”

There is now a risk that City will be too far ahead by a weekend in mid-February. If that happens, Guardiola would have won the title for the third time in five seasons, this time with a devastating mid-season run that no one can match. He and his team immediately realized that the time between the Champions League groups and knockouts, from December to February, is when the Premier League truly shines. Ferguson said that Jose Mourinho’s 95 points with Chelsea in 2004-05 changed his mind about title fights, but City’s point totals suggest that this is a step up even from that.

City has transformed the game and the manner in which you win the league. This should not be taken to absolve other significant clubs, who have long sought their own path. Abu Dhabi’s infinite wealth, on the other hand, allowed the hierarchy to entirely deconstruct the club and rebuild it from the ground up, ultimately accomplishing something no one had ever imagined.

Managing the City

This propels City to the top, where it becomes about so much more than player spending. The club has the financial resources and infrastructure to ensure that they get the most incredible talent from top to bottom. They are described as a beast in the game. Such apparent superficialities matter, since one of the key incentives for all of this, is that Abu Dhabi is viewed as an excellent place to do business. The club rapidly adhered to the emirate’s corporate policies, ensuring excellence in every sector.

City was able to accomplish what Abramovich was unable to. Much of this was set in place before Financial Fair Play, allowing City to build a massive platform just as the drawbridge was being raised. Newcastle United’s Saudi Arabian owners will be unable to undertake a similar undertaking. That endeavour does more than allow the City to hire the best. It gives them the power to expect the finest.

Grip on the League

They swiftly upgrade if a signing doesn’t work out. There has been a slew of high-priced wingers, centre-backs, and creators. Ten of the 16 have been bought for at least £40 million each. It’s worth noting that Chelsea and United have spent the same amount over the same period. Liverpool isn’t even close, and that’s before net spend is considered. It’s the depth of that infrastructure, not the team, that makes the actual difference.

Within football, there is even a notion that City is in such a powerful position that their transfer targets aren’t only about improving their club. Instead, they’re looking to remove them from the market. All of this contributes to a broader discussion regarding City’s style, which has accompanied their domination.

City has such a high level of synergy that they get more value out of most signings. Instead, it’s as if many of the players in specific positions are nearly interchangeable, with the squad performing at the same level no matter who is on the field. This demonstrates Guardiola’s coaching depth while also allowing him to maximize the depth of his group. As a result, players can be rested whenever they need to be.

Guardiola is still determined to take City to the next level. He aspires to play in the Champions League. If he doesn’t win, he understands it will impact his legacy. Some speculate that he would have walked if he had won it in May. The idea of the holy grail, the psychodrama around the Champions League, is undoubtedly the fascinating aspect of City right now. That has yet to be accomplished by the club that can buy practically anything. It gives them a human quality.

Dipo Olowookere is a journalist based in Nigeria that has passion for reporting business news stories. At his leisure time, he watches football and supports 3SC of Ibadan. Mr Olowookere can be reached via [email protected]

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Nigerian Idol: The Top 10 Are In, and the Stakes Just Got Higher

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Nigerian Idol Season 10 contestants

There’s something about the Top 10 reveal episode of Nigerian Idol that always hits differently, and Season 10 delivered all the feels. From nerves to tears and surprises to pure joy, this week’s episode was a mix of hope, heartbreak, and everything.

The show kicked off with a look back at the contestants in action, rehearsals, performances, and those iconic judge reactions we’ve come to love. But it wasn’t just a trip down memory lane. With 25 contestants left and only 10 golden spots available, it was time to make some life-changing decisions.

One by one, the contestants walked into the judges’ room to find out if they’d made the cut. If it was a yes, their photo went up on the Top 10 wall. If it was a no, they took it down and faced the end of their Idol journey.

Mikki was the first to be called in, and what a way to start. His performance left Ric Hassani visibly moved, and it wasn’t long before we found out why: he was through to the Top 10. Raymu came next, and though a few nerves tried to get in the way, his talent couldn’t be ignored. The judges called them in together, teased them a little (as usual), and then gave them the good news that they both made it.

Ellacentric followed with a stunning performance and earned her place with grace and emotion. The same couldn’t be said for everyone, though. Talented contestants like Sapphire Whinnas, Rosella, David Daffe, Ander, Richie Jay, and Tessy had to say their goodbyes. Their journeys might have ended on the Idol stage, but their passion and performances won’t be forgotten anytime soon.

As the day unfolded, we saw more dreams come true. Jkenova, Lawrence, and Purp joined the growing list of finalists. By the end of the episode, the Top 10 was locked in.

Here they are: Mikki, Raymu, Ellacentric, Kristopher, Sally, Boss Lady, Brammy, Jkenova, Lawrence, and Purp.

With the live shows just around the corner, the competition officially enters its most thrilling phase. These ten have proven they have the voice, the presence, and the passion, but now they’ll need to bring their A-game to every single performance.

The countdown to live shows begins, and if this episode taught us anything, it’s that anything can happen.

Catch Nigerian Idol Season 10 every Sunday at 7 p.m. on Africa Magic Showcase (DStv Ch. 151, GOtv Ch. 12) and Africa Magic Family (DStv Ch. 154, GOtv Ch. 2). For behind-the-scenes moments and round-the-clock Idol content, tune in to the 24/7 Idol Extra channel (DStv Ch. 198, GOtv Ch. 49).

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Cannes Film Festival Selects Nigeria’s ‘My Father’s Shadow’

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Cannes Film Festival

By Adedapo Adesanya

Nigeria has made history at the prestigious Cannes Film Festival with My Father’s Shadow becoming the first Nigerian film in its official selection.

The film, which premieres in the Cannes Film Festival’s Un Certain Regard section, is produced by Rachel Dargavel of Element Pictures and Fumnbi Ogunbanwo for Lagos-based Fatherland Prods.

It was directed by Akinola Davies Jr, who also co-wrote with his brother, Wale ‘Tec’ Davies of the Show Dem Camp rap duo. The brothers also served as executive producers.

Held every May in the city of Cannes, France, the Cannes Film Festival is the world’s most prestigious film event, bringing together top filmmakers, actors, and industry professionals to celebrate cinematic excellence. Since its inception in 1946, the festival has become a global stage for premiering groundbreaking films.

My Father’s Shadow is a semi-autobiographical film featuring Gangs of London star Ṣọpẹ́ Dìrísù and is set in Lagos during the June 1993 election annulment.

The film follows a father and his two estranged sons as they travel across the chaotic metropolis while political unrest threatens their homeward journey.

Dìrísù plays Folarin, a hard-luck breadwinner trying to provide for his family, and breakout talents Chibuike Marvellous Egbo and Godwin Egbo as his two young boys – Remi and Akin.

The film begins on a pivotal June day in 1993, as Nigeria is eagerly awaiting the results of its first democratic election since the military coup that brought General Ibrahim Badamasi Babangida to power. The unofficial results suggest a victory for the opposition, leading millions of Nigerians to hope, which is slogan of Moshood Abiola, who is widely believed to have won the election.

On that fateful day, Folarin embarks on a journey to collect several months’ of owed salary from his employer in Lagos. With his wife out of town, he begrudgingly allows his sons to tag along, not knowing that the country is on the brink of an electoral crisis.

The story is based on the Davies family and is composed in the form of a letter to their late father (who Folarin is based on) with Wale Davies writing the script more than ten years ago, with touches and input from his director brother in critical stages over the years.

Wale Davies says My Father’s Shadow is also a tribute to Lagos, a city whose daily life, often resembles a movie set.

Everything looks like a film,” he says, “I could look on my street — there’s just always something exciting happening.”

The brothers had collaborated on the short film Lizard, which won the Grand Jury Prize at Sundance and was nominated for a BAFTA.

Mubi, which acquired the film ahead of its Cannes debut, is planning a theatrical release in North America and the United Kingdom. The Match Factory is handling international sales, with a possible Nigerian cinema release anticipated.

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Lagos to Host AFRIMA 2025

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AFRIMA-Trophy

By Adedapo Adesanya

The African Union (AU), in collaboration with the All Africa Music Awards (AFRIMA), has announced Lagos, Nigeria, as the host city for the 2025 edition of the music awards.

The announcement was made at the AU headquarters in Addis Ababa, Ethiopia, by the Head of Culture at the African Union, Ms Angela Martins.

The awards ceremony, along with side events, including the vibrant Music Village Festival, is scheduled to take place from November 25 to 30, 2025.

Ms Martins describes this year’s theme, “Unstoppable Africa,” and the choice of Lagos as its host, as a reflection of the vibrancy, brilliance, and dream of modern African music, which the city represents.

“Music is not merely sound, it is a strategy. From Dar es Salaam to Acrra and other parts of the world, music flows like a river through our culture, and it connects, heals, and moves us forward,” Martins said, explaining the AU’s enduring partnership with AFRIMA.

The AFRIMA 2025 calendar starts with a call for entries on May 20, inviting submissions from African artists across the continent and the diaspora.

Artists can submit works across various categories and genres as part of this celebration of musical excellence, an initiative aligned with the AU’s Agenda 2063, which champions culture as a driver of development in Africa.

AFRIMA has served as a powerful platform for cultural exchange and continental integration.

AFRIMA’s President, Mr Mike Dada, reiterated this mission, saying that AFRIMA is a rallying point to further integrate the continent.

“This is to ensure we have an enduring platform called AFRIMA to be used as a rallying platform to integrate the continent, for peace, job creation, and for telling our own stories,” Mr Dada said.

The road to AFRIMA 2025 will also include events in other African countries, including Morocco, Tanzania, and Côte d’Ivoire, and will also make stops in London, UK, and Paris in France.

Last month, the Governor of Lagos State, Mr Babajide Sanwo-Olu, declared the state’s readiness to host Africa and the world for the 2025 edition of the AFRIMA.

Speaking when he received a high-powered delegation from the African Union and the AFRIMA International Committee in his office, Mr Sanwo-Olu stated that Lagos’ acceptance to host AFRIMA 2025 aligned with his administration’s vision to make the creative and tourism industry a major pillar of the state’s development drive.

The governor said, “One of the key pillars of our administration’s development agenda is the creative industry. Since I took office, we’ve been intentional about building a vibrant creative ecosystem supporting film, music, fashion, photography, and cultural tourism.

“We are happy to receive the AFRIMA team; we will do it, and we will be part of this. This is one initiative we are proud to accommodate. Our team will work together with your team to action this. We thank the African Union and the AFRIMA Committee for trusting Lagos.”

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