Showbiz
Spotify’s RADAR: Showcasing Diverse Sounds Redefining Africa’s Music Scene
Spotify’s RADAR program is dedicated to bringing rising talent to the forefront globally, showcasing what is next in sound, and lifting artists by helping them expand their global reach on their path to superstardom.
The past few years have been a clear testament to the growth of African music globally, and this year, Spotify’s RADAR Africa program is shining a spotlight on the continent’s rising stars. Joining the ranks of previous RADAR Alumni such as Ayra Starr, Victony, BNXN, and Bloody Civilian from Nigeria, Shallipopi is the latest addition to the RADAR Africa list. Hailing from Eswatini, Manana who is South African-based follows in the footsteps of luminaries like Tyla and DBN Gogo, representing his nation’s thriving music scene.
Ugandan artist Joshua Baraka’s inclusion underscores the program’s commitment to showcasing the diverse talents that make the African continent proud through their art, following in the footsteps of fellow East African RADAR Alumni Xenia Manasseh from Kenya, with both representing the region.
Phiona Okumu, Spotify’s Head of Music, Sub-Saharan Africa says “This cohort represents some of the continent’s most promising artists. As African artists continue to rise globally, Spotify is excited to continue playing its part in the rise and discovery of local artists, showcasing their diverse talents to the world.”
Shallipopi, popularly called “Presido De La Pluto” by his fans, gained popularity through viral freestyles, offering a fresh perspective on street culture and influencing street lingo through his music. Hailing from the culturally rich Benin City in Edo State, Nigeria, Shallipopi proudly showcases his roots on tracks like “Obapluto,” one of his top five most-listened-to songs on Spotify, following “Ex Convict”. His track “Cast” holds the top spot as his most-streamed song, while his album “Shakespopi,” which has amassed over 13 million streams since its release, further highlights how he adeptly fuses tradition with modernity, and seamlessly blends his cultural heritage with contemporary elements.
Shallipopi’s reach continues to grow, with over 1.9 million additions to playlists in the last 12 months and a global audience led by Nigeria, the United States, the United Kingdom, Ghana, and South Africa over the last 28 days. The street-loved artist is embraced by Gen Z’s with 52% of his listeners aged 18-27 and millennials with 19% at 28-34. He also commands a larger male following at 66% compared to female following at 31% over the last 28 days.
Ugandan artist Joshua Baraka burst onto the scene with his soulful 2020 debut “Tomorrow,” captivating listeners across Africa and globally, and amassing a fervent following. Nigeria stands as the top country streaming his music the most on Spotify over the last 28 days, a testament to the viral success of his hit “NANA”, also his most-streamed song. Nana remix featuring African superstars Joeboy, King Promise and Bien further solidifies his popularity, ranking among Baraka’s top three most-listened tracks, trailing closely behind his other smash hit “Dalilah.”
While Nigeria leads the charge, Baraka’s cross-cultural resonance is evident as Kenya, the United States, the United Kingdom, and his native country Uganda follow among his top five streaming countries, underscoring the singer’s ability to craft melodies that resonate with diverse audiences worldwide. His core Spotify audience over the last 28 days spans Gen Z and millennials, with 53% aged 18-27 and 25% aged 28-34, while his male listenership at 59% outpaces females at 38%, further highlighting his capacity to captivate audiences across genders. With over 195k playlist adds on Spotify in the last 12 months, his ever-growing fanbase is a true showcase to the power of cross-cultural relevance and the boundless possibilities of artistic collaboration.
Hailing from eSwatini, Manana is a multi-talented singer, producer, and Grammy-winning songwriter renowned for his lush melodies and jazzy R&B production. His soulful performances and masterful songwriting prowess, include credits with Burna Boy, Jon Vinyl, Sauti Sol, and the legendary Usher, which helped catapult him to prominence.
Manana’s global appeal is evident as South Africa, the United States, Nigeria, Kenya, and the United Kingdom emerged as the top five countries streaming his music over the last 28 days. He has garnered over 144k playlist adds in the past 12 months and with an audience comprising 50% male listeners and 43% female listeners. His music resonates strongly with the younger demographic aged 18-27 making up 58% of his total streams and 23% aged 28-34, over the last 28 days. Additionally, one of his most streamed tracks on Spotify “Distance – Acoustic” features his exceptional songwriting talent.
We had a sit down with Shallipopi, Manana and Joshua Baraka to delve deeper into their music and creative journey.
SHALLIPOPI
How would you describe your musical style and what are some of the influences that have shaped your sound?
My music is experimental music or what I call Afro-talk. It’s just my type of sound.
How does it feel to be one of this year’s Spotify RADAR artists?
It feels great. It’s an opportunity for more people to meet me at the front. This is just the beginning.
Artists often face unique challenges. What has surprised you most about the music industry so far? What are some of the biggest lessons you’ve learned on your musical journey?
Nothing surprises me about the music game – I’m enjoying it. The big lesson is not to give up. Just do what you’re doing and listen to the people close to you.
Looking ahead, what are you most excited about in your musical journey?
I’m excited about everything because this is my dream. Doing music back to back, I’ve been doing music since I was a child so everything about it is exciting.
MANANA
How would you describe your musical style and what are some of the influences that have shaped your sound?
I would say I make alternative RnB, with a singer-songwriter twist. My influences are a combination of training from my upbringing, harmonies from choir school, chord progressions from jazz studies and then the rest is from hearing RnB and neo-soul music from my brother’s CD collection
How does it feel to be one of this year’s Spotify RADAR artists?
Feels good. It’s a privilege, I’m very grateful. It is reassuring and encouraging to see that the work we’re putting in is appreciated.
Artists often face unique challenges. What has surprised you most about the music industry so far? What are some of the biggest lessons you’ve learned on your musical journey?
I don’t think I’ve had any surprises. But I think the struggle I had to deal with was comparison. I think social media has given us access to parts of the world that previously weren’t easily accessible, but has also exposed us to this feeling of inadequacy that maybe isn’t warranted. I think focusing on what I’m doing and not trying to make music that would be viral or “challenge-friendly” has been my biggest lesson.
Looking ahead, what are you most excited about in your musical journey?
Growth. Every year I start with that being my goal. I’m not sure what that looks like exactly but I know consistent growth has no limit. So that’s the hope for the future.
JOSHUA BARAKA
How would you describe your musical style and what are some of the influences that have shaped your sound?
I’d describe my musical style as an interpretation of what I feel at the time I’m making that particular piece of music. Basically, my music is who I am so I’d describe my music as another version of me. I’ve been influenced by a lot of gospel musicians because I grew up in a staunch Christian family. As I grew up and got access to more genres of music, I became obsessed with Bob Marley, Chronixx, jazz music in general and every RnB artist I could find.
I’ve also been influenced by Ugandan artists like Radio from the duo Radio and Weasel, Maurice Kirya and Elly Wamala.
How does it feel to be one of this year’s Spotify RADAR artists?
It feels really good to be chosen to be a part of this year’s RADAR artists. I feel like a part of something bigger than myself. It’s a step in the right direction and vision which is to shine light on Uganda and East Africa in general.
Artists often face unique challenges. What has surprised you most about the music industry so far? What are some of the biggest lessons you’ve learned on your musical journey?
What surprised me the most about the music industry is how different it is from whatever you see on TV and the internet. It’s not as smooth and easy as it’s made to appear. My biggest lesson so far is that you need to show up regardless of how you feel and do what you need to do. That is the price for growth.
Looking ahead, what are you most excited about in your musical journey?
I’m excited for the day Uganda is recognized on the music scene globally because we have a lot of talents, tujja tujja. For myself, I’m excited to share all the new music I have been working on and some serious work coming up. I’m excited about where all this journey is headed
Check out Shallipoppi’s ASAP and Cast, Manana’s Hold Me Tight and Sunday Morning, as well as Joshua Baraka’s Dalilah and Nana Remix on RADAR Africa. Assets to go along with your story are attached. Let me know if you have any questions or are interested in covering!
Showbiz
Davido’s World Cup 2026 Performance Reached 3.92 billion People Across 156 Countries
A newly released Media Intelligence Report by P+ Measurement Services reveals that Nigerian music icon Davido’s participation during the FIFA World Cup 2026 generated extraordinary levels of global media attention, audience engagement and positive sentiment, transforming a cultural performance into a worldwide conversation about unity, hope, justice and African influence.
The report analysed media coverage, public conversations and stakeholder engagement generated between June 10 and June 20, 2026, across print, online, broadcast and social media platforms worldwide. Beyond measuring visibility, the analysis examined the broader reputation implications of the campaign and its impact across traditional media ecosystems, digital communities and emerging AI-powered discovery environments.
According to the report, Davido generated approximately 1.48 million media mentions globally within the ten-day reporting period, reaching an estimated audience of 3.92 billion people and producing 6.78 billion impressions across media channels. Social conversations exceeded 432,700 discussions while total engagements surpassed 54.3 million interactions, highlighting one of the most impactful African entertainment-led communication moments recorded on the global stage in recent years.
The report found that public response to the performance was overwhelmingly favourable. Positive sentiment accounted for 89 per cent of all measured conversations, while neutral conversations represented only 2 per cent. Negative and strongly negative narratives combined accounted for less than 1 per cent of total discussions, indicating widespread approval not only of the performance itself but also of the underlying message embedded within the campaign.
At the centre of the conversation was Davido’s “Bring Them Home” message, which drew international attention to the plight of abducted schoolchildren and teachers from Oyo State. Rather than positioning the performance solely as entertainment, the campaign successfully integrated advocacy into one of the world’s largest cultural and sporting platforms.
The report suggests that this strategic combination of entertainment, social purpose and national storytelling significantly contributed to the scale and quality of media attention generated globally. In an era where audiences increasingly reward authenticity and meaningful narratives, the campaign demonstrated how celebrity influence can be leveraged to drive conversations that extend beyond music and popular culture.
One of the most significant findings of the report is the geographic diversity of the audience reached. While Nigeria remained a major contributor to conversations surrounding the performance, the United States emerged as the largest international market by reach, accounting for approximately 16 per cent of global visibility. Nigeria contributed 15 per cent, followed by the United Kingdom, Canada, Ghana, South Africa, France, Brazil, Germany and India.
The presence of conversations across 156 countries underscores the increasingly global nature of African cultural influence. It also reinforces the growing capacity of African creatives to shape narratives that resonate across continents and cultural boundaries.
For Nigeria, the findings provide further evidence that entertainment continues to function as one of the country’s most powerful soft power assets. While governments often invest heavily in national branding campaigns, the report indicates that cultural exports such as music, film and creative storytelling remain among the most effective vehicles for shaping international perception and projecting national influence.
The analysis further reveals that social media served as the primary engine of visibility throughout the reporting period. Social platforms generated approximately 1.32 million mentions, representing more than 89 per cent of total conversations recorded. X, formerly Twitter, accounted for the largest share of discussions, followed by Instagram, TikTok, Facebook and YouTube.
The dominance of social media highlights a broader shift in the communications landscape. Traditional media continues to play an important role in validating narratives and extending credibility, but public conversations increasingly originate and gain momentum through digital communities. For brands, institutions and public figures, this reinforces the importance of integrating earned media, influencer engagement and community-driven storytelling within communication strategies.
Online media also recorded significant performance, generating approximately 268,000 mentions and reaching an estimated audience of 1.65 billion people. Coverage was amplified by leading international and regional media organisations, including BBC News, CNN, Reuters, Al Jazeera, The Guardian and several influential African news platforms.
Broadcast media contributed an additional 11,500 mentions with a reach exceeding 452 million people, while print media generated more than 35,000 mentions and reached over 512 million audiences globally.
The report notes that the strength of this performance lies not merely in media volume but in media diversity. Visibility was achieved across multiple platforms, audience segments and geographic regions simultaneously, creating a highly resilient communication ecosystem capable of sustaining attention long after the initial event.
Analysis of audience demographics revealed particularly strong engagement among younger and economically active audiences. Individuals between the ages of 18 and 34 accounted for nearly 58 per cent of all measured social media engagement, reflecting the growing influence of youth-driven digital communities in shaping modern reputation outcomes.
From a communications and public relations perspective, the report identifies the campaign as a compelling case study in strategic narrative management. Traditionally, major sporting events have been viewed primarily as sponsorship and visibility opportunities. However, the Davido World Cup performance illustrates how organisations and personalities can use globally relevant moments to introduce social causes, build emotional connection and drive stakeholder engagement simultaneously.
For communications professionals, the findings reinforce the principle that visibility alone does not create influence. Influence emerges when visibility is supported by relevance, purpose and audience resonance. The campaign’s success demonstrates the effectiveness of aligning advocacy messages with cultural moments capable of generating significant public attention.
For the entertainment industry, the report highlights the increasing importance of purpose-driven storytelling. Audiences are becoming more responsive to artists and creators who leverage their platforms to address societal issues while maintaining authenticity. The performance illustrates how entertainment brands can generate both cultural impact and reputation value when social purpose is integrated into communication efforts.
For government institutions and policymakers, the findings offer important lessons regarding nation branding. The report suggests that Africa’s creative industries continue to represent one of the continent’s strongest tools for shaping international perception. As countries compete for tourism, investment and global relevance, cultural ambassadors such as musicians, filmmakers and creators are increasingly becoming key contributors to national reputation.
The report also presents significant implications for the public relations industry itself. As measurement frameworks evolve beyond traditional metrics such as impressions and advertising value equivalency, communications professionals are being challenged to evaluate influence through more sophisticated indicators, including sentiment quality, audience engagement, narrative ownership, stakeholder resonance and AI discoverability.
One of the report’s most forward-looking findings concerns performance within AI-powered information environments. An assessment of leading generative search and AI discovery platforms found exceptionally strong visibility for the campaign across ChatGPT, Perplexity AI, Claude AI and Microsoft Copilot.
Visibility scores ranged from 89 to 92 per cent across the evaluated platforms, indicating strong representation of campaign narratives within AI-generated responses and emerging search environments. Associated themes consistently included global impact, unity, humanitarian advocacy, African culture and Davido’s performance.
This development is particularly significant because reputation management is entering a new era where discoverability within AI systems increasingly influences public understanding. As users rely more on generative AI platforms to access information, organisations must ensure that their narratives are not only visible in traditional media but also accurately represented within AI-powered search and discovery ecosystems.
The report concludes that Davido’s World Cup 2026 performance represents far more than a successful entertainment event. It stands as a powerful example of how African talent can shape global conversations, amplify important social issues and create measurable influence across interconnected media environments.
More importantly, it demonstrates that purpose-driven storytelling, when combined with cultural relevance and strategic communications, can transform a single performance into a global reputation asset.
For PR practitioners, communication strategists, policymakers, marketers and brand leaders, the campaign offers valuable lessons on the future of influence. In a media environment increasingly driven by attention scarcity, algorithmic discovery and AI-generated information, success will belong to those who can create narratives that are not only seen but remembered, shared, trusted and discovered.
As Africa continues to strengthen its voice on the global stage, the findings reinforce a growing reality: the continent is no longer merely participating in global conversations. It is increasingly helping to shape them.
As part of its ongoing commitment to advancing evidence-based communications practice, P+ Measurement Services continues to make industry intelligence, measurement frameworks and media insights available to communications professionals, helping organisations move beyond assumptions and make informed decisions based on data, reputation intelligence and stakeholder understanding. With more than a decade at the forefront of media intelligence and communications measurement in Nigeria, the firm remains committed to strengthening the practice of public relations through research, accountability and meaningful evaluation.
Showbiz
Masterchef Nigeria Top 5 Pressure Sends Derry Home
The heat was high, the flavours were bold, and the pressure was sizzling as the Top 5 home cooks on MasterChef Nigeria were tasked with re-imagining beloved Buka classics in a challenge that demanded they cook with serious “street in their step.”
Joining the judges in the MasterChef kitchen was the well-known and much-loved Chef Bukie Akinmade, who brought her expertise, warmth, and deep love for Nigerian food culture to the judging table.
For this challenge, the contestants had to prepare two dishes inspired by the vibrant energy, flavours, and soul of Nigerian street food and Buka-style cooking. But this was not just about recreating familiar favourites. The home cooks had to turn humble food into fine dining elevating everyday classics while still keeping the heart, spirit, and authenticity of the street alive.
For Derry, the mission was personal. She was determined to let tradition and tribe shine through her food, but unfortunately, her dishes did not land the way she had hoped. The judges felt that her execution did not meet the standard required at this stage of the competition, and after a tough cook, Derry became the next contestant to leave the MasterChef Nigeria kitchen.
Joining Derry in the bottom three were Favy and Fads.
Favy, who still had the immunity pin, was confident in the dish she presented and chose not to use it. However, her undercooked Dubai Pistachio Puff Puff came back to bite, landing her in the danger zone.
Fads also found herself under pressure after serving two starter-style dishes. Time got the better of her in the kitchen, leading to a shocking moment when she accidentally put her hands into hot oil. The incident startled the judges and Fads herself, but she pushed through with determination and made sure her food reached the plate. In the end, the judges were impressed with how well her chicken was cooked, and she was declared safe.
While some contestants struggled to find their rhythm, David and Isabella rose to the occasion and served the strongest dishes of the day.
Although Isabella’s dish was simple, the judges felt that she truly understood the brief and successfully took her food to the streets while giving it the elevation the challenge required. Her flavours, concept, and execution impressed the panel and earned her a place among the top cooks of the challenge.
David, however, brought both flavour and fighting spirit to the plate. The judges were particularly impressed with the look of his dishes, as well as the balance and depth of flavour in his street food classics. His ability to elevate familiar favourites while staying true to the heart of the challenge made him one of the standout performers of the day. David’s fighting spirit paid off as he walked away with Dish of the Day.
MasterChef Nigeria continues next week as the Top 4 battle for a place closer to the ultimate title.
The remaining contestants will be challenged to create two Afro-Italian dishes, with a major prize on the line for the winning dish. As the finale draws closer, every plate matters, every second counts, and only the strongest cooks will survive the heat.
The show airs weekly on Sundays at 7 pm on Africa Magic Showcase and Africa Magic Family with rebroadcast on Wednesdays at 6 pm on Africa Magic Showcase and Thursdays at 12 pm on Africa Magic Family.
Produced by Primedia Group, MasterChef Nigeria is supported by a strong coalition of leading Nigerian brands, including headline sponsor Power Oil, alongside Indomie, Dano Milk, Malta Guinness, Sonia Tomato, Kiara Rice, Golden Penny Flour, Golden Penny Sugar, Golden Penny Garri, Golden Penny Semolina, Golden Penny Chocolate Spread, and Golden Penny Wheat.
Showbiz
Entertainment Non-Stop: Movies and Shows to Watch on GOtv This Week
A renowned professor races across Europe in a desperate bid to stop a deadly virus that could wipe out half of humanity.
In another gripping story, a teenage girl already battling anxiety suddenly finds herself fighting for her life when a ruthless serial killer begins hunting her through the woods.
Elsewhere, two operatives who should be on the same side realise they’ve both been deceived, forcing them into an uneasy alliance in a dangerous world of crime and betrayal.
That’s the kind of tension GOtv is serving up this week.
It’s a lineup that moves from fast-paced thrillers to intense drama and even stories rooted in everyday realities, giving you something different depending on your mood. If you’re looking for what to watch next, here are the movies and shows airing on GOtv this week.
Inferno
Thursday | 22:05pm | Movie Room Africa
Robert Langdon finds himself pulled into a deadly race across Europe after waking up with no memory and a virus-threatening conspiracy unfolding around him. With the help of Dr. Sienna Brooks, he follows a trail of cryptic clues tied to Dante’s Inferno, all while a global catastrophe looms if they fail to act in time. It’s a high-stakes thriller where every second counts and nothing is what it seems.
You Can’t Run Forever
Saturday | 20:00 pm | M-Net Movies 3
A young girl battling anxiety becomes an unexpected target when a ruthless serial killer begins hunting her through the wilderness. What starts as fear quickly turns into a raw fight for survival as she’s forced to rely on instinct, courage, and sheer will to stay alive. With J.K. Simmons leading the tension, it’s a gripping survival thriller that doesn’t let up.
2 Guns
Friday | 23:55 pm | Studio Universal
Two operatives who’ve been unknowingly working against each other suddenly find themselves on the wrong side of a dangerous double-cross. With both the law and criminals closing in, they’re forced into an uneasy partnership to survive the chaos they’ve been dragged into. Packed with action, betrayal, and sharp chemistry between Denzel Washington and Mark Wahlberg, it’s explosive from start to finish.
She Was Never Here
Wednesday | 11:25 am | Africa Magic Showcase
Ralph thinks he’s securing a better future when he gets his fiancée Bianca a chef job at his boss’s home. But behind the opportunity lies a secret deal Bianca makes to earn more money, one that slowly begins to unravel trust, love, and everything they’ve built together. It’s a tense domestic drama where ambition and loyalty collide.
My Period Stories
Saturday | 09:00 am | Africa Magic Family
A podcast-style series that opens up conversations around menstrual health and reproductive rights through interviews, personal testimonies, and real discussions. By blending storytelling with lived experiences, it breaks silence around topics often left unspoken and encourages honest dialogue in a relatable, accessible way.
From Hollywood blockbusters to meaningful conversations that reflect real-life issues, GOtv continues to deliver a diverse mix of entertainment that speaks to every kind of viewer. Whether you’re watching alone or with family, this week’s lineup guarantees something worth your time.
To upgrade, subscribe or reconnect, download the MyGOtv App or dial *288#. For catch-up and on-the-go viewing, download the GOtv Stream App and enjoy your favourite shows anytime, anywhere.
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