General
Obafemi Awolowo Foundation to Honour AfDB President Today
By Enyi Ejike-Umunnabuike and Maryam Nwachukwu
Dr Akinwumi Ayode Adesina, the current President and Chairman of the Council of the 20-member Board of the African Development Bank (AfDB) is an urbane man of all seasons. He is an intellectually over-achieving personality, with a high affinity for creativity, uncommon value-addition, skilled corporate governance competencies, a rounded knowledge base, experience, brilliance and intelligence.
Before 2015, he was Nigeria’s Minister of Agriculture and Rural Development.
During his period of development administrative stewardship, under President Goodluck Ebele Jonathan’s administration, Adesina left a highly enthralling scorecard as a political appointee of government, who was able the manage the positive gains of the electoral successes of that administration, achieving lots of feats, amidst very compelling and challenging circumstances.
Perhaps, the successes and lasting impressions that he left behind as Nigeria’s Minister provided a very unbiased career-premised evaluative template that found him worthy of selection and eventual endorsement as the most competent of all the candidates that vied for the exalted position.
This well-cultured, disciplined humble balanced personality will on March 6, 2024 (today), be honoured by the Obafemi Awolowo Foundation at the Lagos Continental Hotel with the prestigious Obafemi Awolowo Prize for Leadership.
As a tie-back to history, it will be recalled that the Obafemi Awolowo Prize for Leadership was first announced in December 2012, with the official award ceremony held on March 6, 2013.
Before Dr Adesina was announced as its fourth recipient, three other distinguished personalities had been conferred with the same award.
These include the Noble Laureate, Prof. Wole Soyinka; former South African President, Dr Thabo Mbeki; and the founder of the Afe Babalola University, Aare Afe Babalola.
A very significant aspect of this event is that it also coincides with the birth anniversary of the late foremost nationalist and statesman in whose memory the award was instituted.
The award is an initiative of the Obafemi Awolowo Foundation, set up in April 1992, to serve as the custodian of Chief Awolowo’s intellectual property and leadership legacy values and norms.
Established as an independent, non-profit, non-partisan organisation dedicated to immortalizing the democratic and development-oriented ideals of Awolowo, the organizers of the event, say the award is a “prestigious, biennial, international prize structured to follow a rigorous process of nomination and subsequent screening by a Selection Committee consisting of some of the most outstanding Nigerians”.
They further said that the prize serves as a strong motivational incentive for persons to pursue excellence in leadership and good governance. The award confers considerable honour and recognition to the recipient.
Speaking on the selection process which led to the choice of Adesina as the 2023 recipient, the foundation spokesperson Mrs Tokunbo Awolowo-Dosunmu, said the call for nomination for the award was published for several months in 2023 and at the close of entries, many nominations of eminent persons were received, with Dr Adesina emerging as a unanimous candidate for the 2023 award.
Expressing his delight about the award and being in the company of previous eminent recipients, Dr Adesina, who has a Five Point Blueprint for repositioning the AfDB, said, “I am delighted to have been selected as a recipient of the prestigious Obafemi Awolowo Prize for Leadership.
“Joining Nobel Prize laureate, Prof. Wole Soyinka and former President of South Africa, Thabo Mbeki, as well as Aree Afe Babalola as prior winners of the prize is such a great honour,” he said.
Adesina, who simply describes himself as a ‘Kenyan, is the eighth elected President of the AfDB and the first Nigerian to be so elected to the position, having been elected on May 28, 2015, for the first time by the bank’s Board of Governors at its Annual Meetings held in Abidjan, Côte d’Ivoire.
He was re-elected for a second term in 2020 following an excellent performance acknowledged by supporters and critics alike.
The agenda of Adesina’s presidency at the AfDB with the ambition to Feed Africa, Light Up Africa, Industrialise Africa, Integrate Africa and Improve the Quality of Life in Africa, was particularly lauded by the organisers as capable of putting the development of the continent directly in the hands of its people.
General
The Poster That Breathes: Designing Visuals That Feel Alive Even When Still
Have you ever noticed a poster that seemed to move, not actually, but emotionally? Perhaps its colors seemed to pulse or the composition changed with your eyes. That’s the magic of visual rhythm, when static design seems cinematic, living, and breathing.
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Directional flow: Diagonal or curved lines imply movement.
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Circular composition: Reeks of energy captured during spin.
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Gradient play: Gradual color transitions mimic emotional movement.
Emotional pacing: imparting stillness with a heartbeat
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Blending light and dark areas to replicate pulses of energy and serenity.
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Employing color temperature changes — to cool, warm — to convey mood shift.
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Creating layered depth, so that observers feel air and space even on a two-dimensional surface.
Creating a poster that feels cinematic
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Thoughtful framing — all that leads the viewer in one emotional direction.
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Atmospheric lighting — the shadows are as full of feeling as highlights.
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Anticipation — the feeling that the next frame is about to be cut in.
When silence speaks louder
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One feather drifting across black space can feel like time standing still.
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A whispery ripple over calm water evokes emotional tension.
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A texture dissolving into nothing feels like wind blowing through light.
Bringing identity to logos
Giving your poster life with Dreamina
Step 1: Write a text prompt
Step 2: Adjust parameters and generate
Step 3: Customize and download
Editing: the art of breathing room
The final exhale
General
FCCPC Seals Ikeja Electric Headquarters Over Alleged Consumer Rights Violation
By Adedapo Adesanya
The Federal Competition and Consumer Protection Commission (FCCPC) on Thursday sealed the premises of the Ikeja Electric Distribution Company (IKEDC) in the Alausa area of Lagos for alleged violation of consumer rights.
Leading FCCPC official to carry out to closure, the Director of Surveillance and Investigation, Mr Bola Adeyinka, said the move was in line with the Federal Competition and Consumer Protection Act (FCCPA) 2018 after repeated attempts to resolve the matter.
“Sealing this facility is a proportionate enforcement measure taken only after repeated engagement and several opportunities for voluntary compliance,” Mr Adeyinka said in a statement.
“The seal will remain in place until Ikeja Electric complies fully with the directives issued by both NERC and the FCCPC and provides written evidence of that compliance,” he added.
According to the FCCPC, the Nigerian Electricity Regulatory Commission (NERC) issued a binding decision directing Ikeja Electric to unbundle a Maximum Demand account into 20 non-Maximum Demand accounts, to recognise each of the 19 residential units and a service point owned by the complainant as separate customer units, and to provide the required metering and connection.
“Ikeja Electric did not carry out that decision,” the statement read in part. “Because of this failure, the complainant has been without electricity supply for more than two and a half years.
“This was despite paying all charges requested by Ikeja Electric and meeting every obligation. The lack of electricity has prevented the complainant from putting the 19 residential units to use.”
It said the move followed unsuccessful attempts to resolve the issues through warnings and dialogue.
FCCPC listed one of such attempts to include a directive to the company in April 2025 on the steps required and the timelines for compliance.
However, “No action was taken. On 2nd October 2025, the Commission issued a Compliance Notice requiring full compliance within seven business days.
“The company still did not comply,” the commission explained.
As of press time, Ikeja Electric, which supplies electricity to several areas in Lagos, has not yet commented on the matter.
General
What to do to Unlock Africa’s Access to Global Digital Assets—Mumuni
By Aduragbemi Omiyale
The Chief Digital Officer of MTN Nigeria, Ms A’isha Umar Mumuni, has said though Africa has immense cultural capital and talent, the lack of infrastructure, ownership, and platform control prevent creators from benefiting fully.
However, she highlighted some steps that can be taken by the governments, investors, and stakeholders to change the narrative.
Ms Mumuni, while speaking at the Nigerian Entertainment Conference (NECLive) 2025 in Lagos, themed, Powering Africa Through Creative Enterprise, “Africa has the cultural capital, the skills, and the talent. What we do not yet have is global access at scale, and that is the gap we must close. Africa’s talent cannot be ignored.
“Africa is a cultural paradise without global access or control. Africa needs global cultural influence, but we do not control global data, we do not own the platform, and we export to other countries without a consistent home platform. We explore creativity, but we import the system without profiting from it.”
The MTN executive explained that unlocking Africa’s access to global digital assets requires transforming local customs, people, and platforms to ensure creativity can flourish and generate sustainable revenue.
She noted that African content, whether in music, film, fashion, or digital media, must be positioned strategically to compete and succeed on the global stage.
Emphasising the need for Africa to invest in technology and digital skills to drive the creative economy, she said, “Africa has the youngest population on earth, which is a leverage. We must invest in AI, coding, digital skills, and content production. Creativity without a platform cannot sail.”
Ms Mumuni noted that broadband policies, digital copyright protections, and clear monetisation opportunities are critical for African creators to earn from their content and reach global audiences.
She warned Africans that without investment and strategic planning, African innovation risks remaining local, while foreign platforms reap the benefits, urging African creators to ensure their stories are shared globally while retaining cultural identity.
“The world expects good stories. Africa’s stories are rooted in culture, resilience, and spirituality.
“To unlock Africa’s access to global digital assets, we must transform investment, policy, and perception,” she said.
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