Showbiz
EPL: Understanding Man City’s Grip on the League
So much for an unprecedented three-team title race. Understanding the odds to win the EPL does not take a genius. Instead, Guardiola and his team have given the Premier League something it has never seen before. They’ve altered the competition’s entire complexion. To use Guardiola’s words, they have “destroyed the Premier League.”
There is now a risk that City will be too far ahead by a weekend in mid-February. If that happens, Guardiola would have won the title for the third time in five seasons, this time with a devastating mid-season run that no one can match. He and his team immediately realized that the time between the Champions League groups and knockouts, from December to February, is when the Premier League truly shines. Ferguson said that Jose Mourinho’s 95 points with Chelsea in 2004-05 changed his mind about title fights, but City’s point totals suggest that this is a step up even from that.
City has transformed the game and the manner in which you win the league. This should not be taken to absolve other significant clubs, who have long sought their own path. Abu Dhabi’s infinite wealth, on the other hand, allowed the hierarchy to entirely deconstruct the club and rebuild it from the ground up, ultimately accomplishing something no one had ever imagined.
This propels City to the top, where it becomes about so much more than player spending. The club has the financial resources and infrastructure to ensure that they get the most incredible talent from top to bottom. They are described as a beast in the game. Such apparent superficialities matter, since one of the key incentives for all of this, is that Abu Dhabi is viewed as an excellent place to do business. The club rapidly adhered to the emirate’s corporate policies, ensuring excellence in every sector.
City was able to accomplish what Abramovich was unable to. Much of this was set in place before Financial Fair Play, allowing City to build a massive platform just as the drawbridge was being raised. Newcastle United’s Saudi Arabian owners will be unable to undertake a similar undertaking. That endeavour does more than allow the City to hire the best. It gives them the power to expect the finest.
They swiftly upgrade if a signing doesn’t work out. There has been a slew of high-priced wingers, centre-backs, and creators. Ten of the 16 have been bought for at least £40 million each. It’s worth noting that Chelsea and United have spent the same amount over the same period. Liverpool isn’t even close, and that’s before net spend is considered. It’s the depth of that infrastructure, not the team, that makes the actual difference.
Within football, there is even a notion that City is in such a powerful position that their transfer targets aren’t only about improving their club. Instead, they’re looking to remove them from the market. All of this contributes to a broader discussion regarding City’s style, which has accompanied their domination.
City has such a high level of synergy that they get more value out of most signings. Instead, it’s as if many of the players in specific positions are nearly interchangeable, with the squad performing at the same level no matter who is on the field. This demonstrates Guardiola’s coaching depth while also allowing him to maximize the depth of his group. As a result, players can be rested whenever they need to be.
Guardiola is still determined to take City to the next level. He aspires to play in the Champions League. If he doesn’t win, he understands it will impact his legacy. Some speculate that he would have walked if he had won it in May. The idea of the holy grail, the psychodrama around the Champions League, is undoubtedly the fascinating aspect of City right now. That has yet to be accomplished by the club that can buy practically anything. It gives them a human quality.
The fight against content theft intensified on Thursday as MultiChoice Nigeria led stakeholders in a Walk Against Piracy from Ikeja City Mall, Lagos, drawing a powerful mix of Nollywood actors, filmmakers, directors, writers, media personalities, regulators, students, and members of the public.
The walk was part of a broader national advocacy campaign aimed at protecting Nigeria’s creative economy from the escalating damage of piracy. Participants marched through the Ikeja axis, distributing flyers, engaging passers-by, and educating the public on the dangers of piracy and its impact on livelihoods.
Veteran actor, Saidi Balogun, one of the leading voices at the walk, described piracy as “a silent killer draining the lifeblood of the creative industry.”
“People see the glamour but forget the sweat, months of work, and the hundreds of jobs behind a single film,” he said. “When you pirate a movie, you are killing someone’s dream, someone’s job, and the future of an entire industry. It must stop.”
Screenwriter and producer, Obi Emelonye, warned that piracy poses an existential threat to the next generation of creatives.
“Piracy is a menace eating deeply into the industry. If we do nothing, young creatives coming behind us will inherit an economy with no structure, no revenue, and no incentive to create,” he stated. “We cannot allow that future.”
The regulatory perspective came from Charles Amudipe, Deputy Director of Operations at the Nigerian Copyright Commission (NCC), who emphasised both the legal and personal risks tied to piracy.
“Piracy is a criminal offence under Nigerian law, punishable by fines and imprisonment,” he said. “Beyond the legal consequences, consumers who download illegal content expose their devices to malware, identity theft, and financial fraud. It is not worth the risk.”
During the outreach, members of the public raised questions about affordability and alternatives to pirated content. The team responded by highlighting accessible, cost-friendly, and legal platforms available to consumers, underscoring that entertainment can be enjoyed responsibly without breaking the law.
Caroline Oghuma, Executive Head, Corporate Affairs at MultiChoice Nigeria, explained that the walk was a continuation of MultiChoice’s long-standing commitments to consumer education. Last month, the company led a school sensitisation programme at Kuramo Senior College in Victoria Island, teaching students how piracy harms creators and how they can unknowingly participate in it.
“We want to catch them young, take this message into communities, and meet Nigerians where they are,” Oghuma said. “Today’s walk is a reminder that protecting intellectual property is everyone’s responsibility. What we are fighting for is the survival of Nigeria’s creative future.”
Other notable participants included members of the Intellectual Property Law Advocacy Network (IPLAN), lawyers, media executives, content creators, and fans of Nigerian entertainment.
MultiChoice Nigeria reaffirmed its commitment to working with regulators, industry bodies, and stakeholders to champion policies, education, and enforcement mechanisms that safeguard creative work and ensure creators receive fair reward for their labour.
By Modupe Gbadeyanka
The Association of Nigeria Theatre Arts Practitioners (ANTP) has debunked viral news reports that that the chairman of its board of trustees, Mr Olalere Osunpaimo, well known as Lere Paimo, was dead.
In a public notice from the national Public Relations Officer (PRO) of the organisation, Mr Adejonwo Oluwafemi Femson, it was disclosed that the veteran action is “alive and well.”
Members of the public were advised to disregard the death rumour.
“We would like to inform the public that reports circulating on Facebook about the passing of Chief Olalere OsunPaimo (MFR) are FALSE.
“We have confirmed with Baba Eda Onile Ola’s wife that he is alive and in good health.
“Please disregard these false reports and be aware that they are being spread by unscrupulous individuals.
“Chief Olalere OsunPaimo (MFR), Chairman Board of Trustee Association of Nigeria Theatre Arts Practitioners (ANTP), is alive and well.
“We urge everyone to verify information before sharing to avoid spreading misinformation,” the notice disclosed.
By Modupe Gbadeyanka
The duo of Nivea and inDrive has been announced as the title sponsors of TikTok’s 2025 Sub-Saharan Africa Awards, while Coca-Cola, Dis-Chem and PEP Stores are the category sponsors.
As title sponsors, inDrive and NIVEA (Beiersdorf) will play key roles in amplifying creator recognition, supporting event experiences, and on-the ground activations.
NIVEA (Beiersdorf) will sponsor the Creator of the Year award, while inDrive will present the Storyteller of the Year award, both reflecting a shared passion for innovation, inclusivity and celebrating African voices making a global impact.
In addition, Coca-Cola is sponsoring Food Creator of the Year award, Dis-Chem is for the Social Impact Creator of the Year award, and PEP Stores is for the Entertainment Creator of the Year award.
This year’s event is slated for Saturday, December 6. It would be used to celebrate the continent’s most inspiring and innovative creators who are using the platform to educate, entertain, and empower their communities.
“We are delighted to partner with TikTok, as we share a long-standing relationship across the globe, including in the Sub-Saharan region. TikTok is a unique platform that enables us to engage with young audiences in a language and format that truly resonates with them.
“We extend our gratitude to the company for organizing The 2025 TikTok Awards Sub-Saharan Africa and congratulate all guests and participants on this remarkable event,” the Marketing Lead of inDrive Africa, Mikita Ponarin, stated.
“TikTok is proud to partner with great local and regional brands that support Africa’s creative economy. What excites us about these partnerships is the shared vision.
“These brands are making a conscious choice to invest in African creativity at a pivotal moment. They see what we see: that when we uplift creators, we strengthen entire communities and economies across the continent,” the Head of Content Operations for Sub-Saharan Africa,” Boniswa Sidwaba, said.
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