Showbiz
FG Okays Barcode To Fight Piracy
The Federal Government has approved the use of barcode in Nigerian movies and music as a measure to protect intellectual properties from undue exploitation.
Minister of Information and Culture, Alhaji Lai Mohammed, gave this endorsement on Friday in Abuja when he received the Caretaker Committee of the Performing Musicians Employers Association of Nigeria (PMAN) led by its president, Pretty Okafor.
The Minister, who was responding to a request to that effect by PMAN, advised the association to also liaise with the Broadcasting Organisation of Nigeria (BON), the Nigerian Copyright Commission (NCC) and other regulatory bodies to ensure the success of the new measure.
He said the government was worried at the damage pirates do to the entertainment industry and that the President Muhammadu Buhari-led administration was doing everything possible to tackle the issue.
“You asked that we make a declaration making it illegal for NTA, FRCN and other radio and television stations from using any music or movie, which is not barcoded…I think what we should do is to work through the Broadcasting Organisation of Nigeria (BON), NCC and other regulatory bodies,” the Minister said.
Alhaji Mohammed decried how trillions of Naira is being lost through copyrights infringement and stressed the need to re-invigorate institutional structures to block areas of leakages in order to rake in more revenue for the government and also allow artistes to enjoy the fruits of their labour.
He also enjoined players in the creative industry to buy into the innovative ways the government is employing to fight piracy through the Digital Switch Over in broadcasting.
“I think you also have to buy into the new digitization programme of the Federal Government because that will be a more effective way to fighting piracy than what we have today…… When you release your work online then there are no CDs to pirate. If I want to buy I (must) pay and it comes straight to me,” he remarked.
The Minister said another advantage of the digital regime is the multiplicity of channels to broadcast content, thereby creating more demand for content.
He said the government is working to turn the creative industry into a viable economy and appealed for private sector investment in production and post-production studios as a deliberate effort to curb capital flight to countries with hi-tech production infrastructure.
“If you can convince the private sector on the viability of the creative industry, you are going to see change. What the private sector needs are figures, data and balance-sheet,” said Alhaji Mohammed.
The Minister also sought the support of PMAN towards the National Re-orientation Campaign of the Federal Government, tagged “Change Begins with Me,” which is to be launched soon, saying creative artistes are influential members of the society who can take the message of change in attitude to the various strata of society.
He agreed to partner with PMAN to organise a Creative Economy Conference with a view to bringing on board all stakeholders to brainstorm on the development of the industry.
In his remarks, Mr Okafor said the music industry is the biggest employer of labour in Nigeria with over 12 million people gainfully engaged.
He said according to a recent study, the nation’s creativity industry is worth N15 trillion, but that over N10 trillion is lost through national and global piracy.
He said government stands to earn N3 trillion annually in both Value Added Tax and taxable income through the introduction of systematic ways to track revenue accruing to the sector and curbing piracy.
Barcode is a machine-readable representation of data, which provides information about the objects that carry such codes.
In the movie and music industry, it can be used to separate original works from fake ones, thus preventing buyers as well as radio and television stations from patronizing pirated works.
For an average of 72 days, Big Brother Naija becomes a constant part of daily life for millions of Nigerians and Africa at large. Whether they are streaming the 24-hour live feed on their devices during the day or catching up with the drama after the Saturday night party, viewers are completely locked in. The show consistently dominates social media feeds, stays glued to the top of X trend tables, and becomes the main topic of conversation in offices and friendship groups across the country.
Yet, while the non-stop drama and eviction twists keep everyone talking, the real story happens entirely off-camera. At the heart of BBNaija’s massive influence is a fiercely loyal fanbase that does far more than just vote. What starts as simple everyday support for a favourite housemate quickly grows into highly organised, real-world communities. Long after the season ends, these fan bases evolve into tight-knit communities that build lifelong friendships, support businesses, and fund major charity projects.
Beyond the Screen: Strangers Becoming Family
Season 10 housemate Koyin with members of his fan community, the Koyinators.
For members of the “Koyinators”, the fan community dedicated to Season 10 (10/10) housemate Koyin Sanusi, supporting their favourite contestant has evolved into a tight-knit community that crosses borders.
“Koyinators are the best. We are like family,” says Juliet, a long-time BBNaija viewer. “I have made a lot of friends through the community. Everyone is genuine and supportive.”
Juliet had actually planned to retire from active fan groups after supporting Efe in Season 2 and casually following Phyna. But Koyin changed that. “Our shared love for Koyin brought us together, but it is the love and togetherness in the community that has kept me here.”
Violet, one of the community’s administrators, points out that this bond now stretches far beyond Nigeria. “We have members from Ghana, Liberia, and Benin,” she says. “It is amazing how one person can bring so many people together.”
Mobilising for Good
While fan communities are famous for their intense voting campaigns and social media trends, their real impact happens behind the scenes.
The Koyinators regularly step up to support the brands Koyin represents. When he partnered with Minimie Noodles, the fan base organised outreach initiatives, visiting schools to distribute noodles to students. They also mobilised heavily for his Guinness campaign, proving that fan bases can drive real-world commercial value long after a season ends.
More importantly, these groups function as emotional and financial safety nets for their members.
“There was a time a member’s son had an accident, and everyone contributed to support her,” Juliet recalls. “I also experienced that love during a health scare. A lot of people turned up for me.”
For Violet, these moments define the true spirit of the fandom. “The love we show each other is real. It is hard to fake that kind of love.”
Life Lessons Amid the Drama
Despite the show’s massive popularity, critics sometimes dismiss reality television as a mere distraction. However, dedicated viewers see it differently. They view the Arena Games, Head of House challenges, and weekly wager presentations as masterclasses in creativity, teamwork, resilience, and strategic thinking.
“I do not see the show as a distraction,” Violet argues. “It helps me relax. If people call BBNaija a distraction, then they should also call the World Cup a distraction.”
For both Juliet and Violet, what draws them to a housemate is authenticity. They look for contestants who are real, active, and competitive. It provides them with entertainment, stress relief, and a shared experience that brings their own families closer together.
An Enduring Legacy
After ten seasons, Big Brother Naija’s legacy is no longer just about the winners it crowns or the celebrity careers it launches. Its truest impact lives in the communities built around it.
The physical Big Brother House closes its doors after 71 days, but the virtual communities stay open. Long after the cameras stop rolling, fans continue to celebrate milestones together, champion charitable causes, and welcome new friends.
For millions of viewers, BBNaija is no longer just a show they watch; it is a community where they truly belong.
By Modupe Gbadeyanka
More than 4.8 million violative videos were removed by TikTok on its platform in Nigeria in the first quarter of 2026, the company’s Q1 2026 Community Guidelines Enforcement Report revealed.
It was disclosed that this number only represents 0.6 per cent of the total number of videos uploaded by the Nigerian TikTok community between January and March 2026.
Analysis showed that 99.8 per cent of the violating content was detected and removed before it was reported by users, while 92.8 per cent of violating content was removed within 24 hours of being posted.
Globally, TikTok yanked off over 184 million videos in the period under review, representing only 0.5 per cent of the total number of videos uploaded on TikTok.
Also, TikTok said it strengthened its anti-spam policy by removing about 118,000 pieces of content in Nigeria under the policy for edited media and AI-generated content (AIGC), while more than 86 million fake accounts were deleted globally.
Further, more than three billion videos have now been labelled as AI-generated content using TikTok’s combination of Content Credentials, creator disclosure tools and invisible watermarking technology, marking a significant milestone in helping people better understand when content has been created or significantly edited using AI.
It no doubt that AI is opening up exciting new opportunities for creativity and storytelling, but as technology evolves, it can also be misused to mass-produce spam that crowds out original creators and undermines trust.
To stay ahead of these evolving challenges, TikTok is testing enhanced detection systems designed to identify accounts dedicated to posting AI-generated spam.
To sanitise its platform, especially as regards TikTok LIVE, efforts have been made to collaborate with local government organisations, such as the Office of the National Security Adviser (ONSA), as well as civil society organisations, ensuring a coordinated and robust response to any potential challenges.
In three months, TikTok suspended 120,000 LIVE sessions in Nigeria for violating Community Guidelines, 40,000 more than in the previous reporting period, proving that the platform has bolstered safety measures.
Globally, more than 58 million LIVE enforcement actions were taken, including the suspension of 50,791,858 LIVE sessions and warnings or demonetisation for 21,966,667 LIVE creators for violating policies.
Warnings serve as an opportunity to educate creators when their content may breach LIVE monetisation policies, allowing them to make necessary changes.
TikTok also emphasises its commitment to keeping the TikTok LIVE experience safe. These efforts include a continuous focus on interrupting violating streams and executing monetisation enforcement actions (both demonetisation and warnings).
TikTok says it remains committed to providing greater visibility into its enforcement efforts through its Community Guidelines Enforcement Reports. As part of this commitment, it has refreshed the design and usability of its reports, making them easier for users to navigate and understand.
Showbiz
Former BBNaija Housemates Reflect on Life, Growth, Success Beyond the Show at Season 11 Media Launch
Big Brother Naija’s evolution from a reality show into a platform for creativity, entrepreneurship and career growth took centre stage at the Media Launch for season 11 on Wednesday, 15 July 2026. Former housemates Uriel, Doyin, Kola and DJ Flo reflected on how the show helped shape their careers while sharing the lessons they have learnt navigating life after reality television.
During the conversation, the former housemates agreed that while Big Brother Naija gave them visibility and opened doors, building successful careers after the show has required intentionality, consistency and a willingness to evolve beyond their reality television personas.
Doyin David from Season 7 Level Up and Season 8 All Stars shared one of the day’s most personal reflections, revealing that her biggest lesson began while she was still in the house.
“One of my biggest lessons actually started in the House. Watching myself back made me realise I did not know myself as much as I thought I did.”
She explained that finding a balance between her personal life and her public brand was a gradual process.
“As for balancing my personal life and my brand, it did not happen immediately after the show. I had to learn along the way, make mistakes, grow from them and eventually find that balance.”
Uriel Oputa from Season 2 See Gobbe and Season 8 All Stars spoke about building a career around wellness, explaining that her passion for healthy living did not begin after the show but became more visible because of the platform Big Brother Naija provided.
“I did not have to find a balance because healthy living is already my lifestyle. It is what I do every day. It is not something I switch on or off because of the entertainment industry; it is simply who I am.”
Flora Chiedo, popularly known as DJ Flo from Season 9 No Loose Guard, emphasised that while Big Brother Naija creates opportunities, success ultimately depends on what housemates do after leaving the House.
“Vision without execution is just hallucination. The show gives you an opportunity, but it does not do the work for you. You have to come out here and put in extra work every day.”
Kola Omotosho, Season 10 10/10 housemate, echoed the sentiment, describing Big Brother Naija as a valuable platform that gave him visibility while stressing that passion, drive and consistency are essential for staying relevant.
“Big Brother Naija gave me visibility, and I am grateful for that. But staying relevant requires passion, drive and consistency.”
The discussion reinforced one of the defining impacts of Big Brother Naija over the years. Beyond entertainment, the show has continued to serve as a launching pad for creatives, entrepreneurs and entertainers, providing contestants with the visibility to pursue careers across different industries. As the former housemates’ experiences have shown, the platform opens the door, but sustained success depends on what each individual chooses to build from the opportunity.
Big Brother Naija Season 11 premieres on Sunday, 26 July 2026, with the live launch show airing from 7:00 p.m. on Africa Magic Showcase and Africa Magic Family. The season marks betPawa’s debut as the Headline Sponsor, while House of Guinness joins as the Gold Sponsor and Minimie returns as the Associate Sponsor. Hosted by Ebuka Obi-Uchendu, the 24-hour live show will air on DStv Channel 198 and GOtv Channel 49. Fans can also watch the show live via DStv and GOtv Stream.
