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6th AFRIMA Receives Highest Entries with 8157 Submissions

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By Adedapo Adesanya

The 6th edition of All Africa Music Awards (AFRIMA) in partnership with the African Union Commission, (AUC) has received its highest submissions yet with 8,157 songs/videos on its online portal as entry submission closed on Friday, August 2, 2019.

This year’s submission continues in the record-setting precedent of previous editions amassing the highest number of entries from African artistes, music producers, songwriters, Disc Jockeys (DJs), and video directors among others, since the inception of the biggest music event in Africa.

With 148 entries, the 2019 submissions exceeded the 2018 submissions and out of the 8,157 entries submitted this year as West Africa led the pack with 38 percent of the total entries followed by Southern Africa with 24 percent. Eastern Africa, Central Africa, and Northern Africa regions had 20 percent, 14 percent and 4 percent respectively.

The 13-man International Jury of AFRIMA arrived Lagos, Nigeria on Wednesday, August 7, 2019, for the week-long adjudication process ending on Tuesday, August 13.

They are charged with screening, categorising, assessing, grading and selecting into the 36 different Regional and Continental awarding categories nominees who will vie for the 23.9 carat gold-plated AFRIMA trophy.

In partnership with Eko Hotels & Suites, Victoria Island, Lagos, Nigeria, its hospitality partners, AFRIMA will provide a secure venue for the eminent international jury members who represent the five regions of Africa, the Diaspora (Europe and North America) and the African Union Commission.

The AFRIMA jury member occupying one of the slots for Eastern Africa is Tanzania’s Joett, a veteran vocal coach and artiste development manager whose songwriting skills earned him registered membership of the American Society of Composers, Authors and Publishers (ASCAP). On the other hand, is Tabu Osusa from Kenya. The veteran music professional has spent more than three decades in music production and promotion. He has chaired several musical projects within and outside Kenya.

Representing Central Africa from Democratic Republic of Congo, DRC, is Charles Tabu, a Music Executive, with wide experience in artiste management and promotion. Charles has worked with major record labels across the continent including Sony, Universal, and Warner. The second jury member for Central Africa is Bob Ekukole, a renowned Cameroonian media, and music professional with 29 years of experience in media and broadcasting. He is currently the Director, TV Programmes and Production, Cameroon Radio and Television, CRTV.

Northern Africa is represented by Omar Essaidi, a Moroccan music programmer and artistic director. He brings to bear his practical experience as judge/juror for several musical contests in Northern Africa.

Zimbabwean radio DJ and Lawyer, Delani Makhalima, takes up one of the two slots for Southern Africa. The entertainment & media executive has also honed his professional experience in songwriting and music composition in the region. Filling the other slot is South Africa’s music professional and concert promoter, Chris Syren who is the co-founder and director of Making Music Productions (MMP), a music production company that has played a vital role in music promotion in South Africa.

Western Africa representatives include Olisa Adibua, prolific broadcaster, music executive and talent manager from Nigeria and David Tayorault, a Côte d’Ivoire music legend, whose work in the music industry has influenced the jazz, blues, soul, zouk and Brazilian samba genre in Western Africa countries.

Representing the Diaspora-Europe is Rita Ray, a UK-based BBC Radio 3 presenter, International Music Curator and popular Club DeeJay. Her counterpart representing Diaspora-North America is Hadja Kobélé Keita, a music executive whose career spans experience in Artiste and Repertoire management and Public Relations with Universal Music Africa/Island Africa. The African Union Commission is represented by Angela Martins, the Head, of the Culture Division of the AUC. Mrs. Martins, who is a citizen of Mozambique, is a professional African Culture Analyst and an African music enthusiast.

Speaking on the 2019 entry submission and adjudication process: Mrs Angela Martins, said: “AFRIMA, the Pan-African initiative, and music platform is gaining greater momentum, continental visibility, and recognition. This can be verified by the increased number of entries received for its 6th Edition, to be held in November 2019.

In partnership with the African Union, the awards recognising and rewarding musical creativity and talents of Africans is scheduled to hold in November 2019 during a four-day fiesta of music, glamour, Afrocentricism, and entertainment in the official awards Host City.

The four-day AFRIMA event commences with the Welcome Soiree followed by the AFRIMA Music Village, the Host City Tour, the Africa Music Business Summit, the exclusive Nominees Party and concludes with the live awards ceremony.

Fans of African music globally can follow along and take part in the AFRIMA 2019 events on social media, live stream on the AFRIMA website, the AFRIMA App and by tuning to over 84 television stations which are AFRIMA partners.

Adedapo Adesanya is a journalist, polymath, and connoisseur of everything art. When he is not writing, he has his nose buried in one of the many books or articles he has bookmarked or simply listening to good music with a bottle of beer or wine. He supports the greatest club in the world, Manchester United F.C.

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These Breakout Stars Could Push African Music Boundaries in 2025

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African Music Boundaries in 2025

African artists always capture hearts, souls and playlists and 2024 was no different for the continent’s culture-making, record-breaking stars. Shining bright from Afrobeats to  Amapiano and beyond, Spotify Wrapped2024 looks at African artists who made magic and those you need to add to your library in 2025.

Afrobeats to Amapiano hitmakers to look out for

The Amapiano movement saw new acts like Scotts Maphuma and singer-songwriter Zee Nxumalo shine bright, with respective hits Yebo Lapho and Thula Mabota. These tunes stood out for fans and brought the pair to the top two spots on their local breakout artists lists.

DJ duo Shakes & Les follow thanks to their electro-amapiano-infused debut album MKHAYA, which attracted new fans and propelled them to be the third most discovered artists in South Africa according to Spotify data. Soweto-born vocalist Lee McKrazy was one of the most featured artists of 2024, making him a hitmaker to look out for this year.

Nigeria’s embrace of Amapiano could see even more collaborations in the new year. As the second-highest Amapiano consumer with over 50 billion streams, Nigeria’s artists are giving local fans what they want by working Amapiano elements into genres like Afrobeats. Songs like Are You There, by leading breakout artist Ayo Maff are further signs of this trend. The self-proclaimed Prince of the Street is a performer to watch out for in 2025.

Tml Vibez’s piano-driven rhythms and hymn-like melodies took second place in Nigeria’s breakout artists list. BoyPee won hearts and feet and the third breakout artist position with his infectious mix of Afro Soul, Afro Pop, and traditional sounds. Tracks like Ogechi with Davido, illustrate the musical blends that make BoyPee an artist to look out for this year.

Afrobeats star KAESTYLE is Nigeria’s fourth-ranking new musician, thanks to his feel-good anthems dedicated to joy, unity and resilience. And Llona’s passionate Afropop songs, like Cold War with compatriot FAVE, reflected the challenges and aspirations of his growing fanbase – earning him fifth place on Spotify’s breakout artists charts.

Gospel, Rap and Arbantone hitmakers to know

Beyond Amapiano and Afrobeats sounds, Durban-born rapper Usimamane got South Africa’s hip-hop heads saying his name with his breakthrough single Cheque. Getting together with familiar names like YoungstaCPT, ANATII and K.O made sure his debut album would turn heads and establish Usimamane as an exciting prospect for the continent’s rap scene.

Rapper and producer King Paluta’s dynamic blend of traditional rhythms and hiplife made him a name to be reckoned with. Fans have gravitated to his bumping beats and confessional loverboy lyrics on songs like Makoma. At the end of 2024, he dropped his debut album, Give Time Some Time, giving fans more Reggae, Afrobeat, and Gospel-inspired sounds to sink into in the new year.

Gospel sounds continue to prosper on the continent as groups like Team Eternity Ghana reached the masses in 2024. Starting as a fellowship of school students, they combine enchanting melodies with evangelical messages that resonate with spiritual song seekers. Tracks like Defe Defe which put them on the map, were remixed for genres like Drill, thus attracting younger fans who found the group through viral dance challenges.

Kweku Smoke uses religious metaphors and imagery on his Kewku Jesus and Born in Hell albums. His vibrant rap with lyrics in Twi, Pidgin and English made him a standout artist in 2024. He took on themes like the struggle between authenticity and a new identity as one rises to stardom. Asakaa and Drill-inspired singer-songwriter, Xlimkid, made a name for himself with party bangers like Valley of Trappers and the emotionally loaded Lonely Road.  Goodsin hitmaker Olivetheboy continued to ride the wave from his debut project Avanna, shaking up Ghana’s music scene in 2024 with the Deluxe release of the album. Being tapped for a feature on King Promise’s True To Self album allowed new listeners to discover Olivetheboy.

Kenya’s Arbantone is expected to continue growing in popularity this year. Singer, dancer, and choreographer Sean MMG was one of the breakout names of the genre and fellow rapper YBW Smith also solidified his breakthrough with viral hits like Pop Like This. Lil Maina’s Genge urban sounds and Swahili, Sheng and English lyrics made him a household Arbantone name and one to keep an eye on this year. Spotify has also supported the growth of the genre through unique playlists showcasing new and established artists.

These up-and-coming artists show the bright future that African music has ahead of it. From Afrobeats and Amapiano blends to linguistic fusions that connect with fans on emotional and spiritual levels, the continent’s sonic identity is more vibrant than ever. These artists should be on your radar as we look forward to the breakout hits of 2025.

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The Trend For Nigerian Filmmaking In 2025

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Nigerian Filmmaking In 2025

By Dele Ashiru

Nigerian film audiences, especially Nollywood enthusiasts, can look forward to a dynamic shift in their beloved industry in 2025. With technology driving innovation and audiences craving richer, more relatable stories, the Nigerian movie industry is set for significant evolution.

Key trends are emerging that will boost efficiency, grow audiences, and redefine what’s possible in Nollywood. These trends promise benefits for everyone involved: filmmakers, crew members, streaming platforms, and, most importantly, the audiences.

The AI Era: Artificial Intelligence (AI) and machine learning are becoming essential tools in the filmmaking process. In Nollywood, where budgets and schedules are often tight, AI offers opportunities to streamline production.

While AI-generated imagery can assist in creating realistic environments and special effects, human actors will remain central to Nigerian storytelling, as emotional authenticity drives audience connection. With AI, filmmakers can save time and reduce costs while maintaining high production quality — a crucial advantage in Nollywood’s fast-paced environment.

Immersive Film Sets: Nollywood’s growth in genres such as fantasy, sci-fi, and epic historical dramas means that immersive virtual film sets are becoming more relevant. Technologies like LED walls and real-time rendering allow filmmakers to create intricate digital worlds without relying on expensive international locations.

With access to these tools, Nigerian filmmakers can tell ambitious, larger-than-life stories while keeping production local. Imagine epic Nigerian folklore tales or futuristic Lagos cityscapes brought to life with stunning virtual environments.

Authentic Storytelling: Authenticity has always been Nollywood’s strongest suit. Nigerian audiences crave relatable stories reflecting their lives, struggles, and triumphs. Platforms like Africa Magic, Showmax and IrokoTV have already shown the power of hyperlocal content.

Globally, there’s a rising appetite for diverse stories, presenting a golden opportunity for Nollywood. Expect to see more stories rooted in local languages, cultural practices, and regional identities — stories that celebrate Nigeria’s diversity while connecting with global viewers.

Sustainable Filmmaking: Sustainability is becoming a priority across industries, and Nollywood is no exception. Film productions, particularly large-scale ones, can have significant environmental footprints.

One effective approach is sourcing cast, crew, and logistics locally to minimize transportation emissions. Nigeria is already seeing a rise in homegrown talent, supported by training institutions such as the MultiChoice Talent Factory (MTF) Academy in Lagos.

By prioritizing local talent and sustainable practices, Nollywood can reduce costs, empower local communities, and protect the environment.

Building Communities: In Nigeria, movie releases are more than just events — they’re cultural moments. Social media platforms like X (formerly Twitter), Instagram, and TikTok play a key role in amplifying movie buzz, creating fan communities, and driving discussions long after the credits roll.

These communities are not just audiences; they’re active participants in the storytelling experience. For producers, fan engagement on digital platforms isn’t just a marketing tool — it’s part of the movie’s life cycle.

A Thriving Future for Nollywood: The Nigerian film industry is on the cusp of an exciting transformation. With technology, authenticity, and community engagement driving growth, Nollywood is set to tell even bigger, bolder, and more impactful stories.

While the future of filmmaking may still hold surprises, one thing is certain: Nigerian films will continue to entertain, inspire, and resonate with audiences at home and abroad.

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Nigerian Skit Maker Mark Angel Laments Loss of $3.7m to Forex Trading

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By Aduragbemi Omiyale

Popular Nigerian skit maker, Mark Angel, has narrated how he also committed suicide in 2024 after he lost about $3.7 million to foreign exchange (FX) trading.

The Port Harcourt, Rivers State-based comedian stated that the situation left him in a huge debt, noting that his “pastor and his wife stood by me” during the period.

“The year 2024 began like every other year, but I had no idea how much it would test me how much it would break me, yet ultimately reshape me. It was the year I lost everything. I trusted the wrong hands in forex and lost all my money. Nobody knew except my family and closest circle.

“The weight of the loss, over $3.7 million was suffocating. I was drowning in debts, and one by one, I watched all my properties slip into the hands of loan sharks. It felt like my world was crumbling, and in my darkest moments, I considered ending it all.

“But God… If not for His mercies, I wouldn’t be here writing this. He sent angels into my life when I needed them the most. Blessing, my friend who became family, never gave up on me.

“My pastor and his wife stood by me, praying and guiding me. My daughters, Victoria and Mila, reminded me of the beauty of life, even when it felt unbearable.

“My ex-wife Mandy extended a hand of kindness I will never forget. My son, Schoolboy, showed me strength beyond his years. And Bright, my social media assistant, stood as a pillar in moments I thought I’d collapse.

“While I was still trying to heal, undergoing therapy to recover from the trauma, life dealt another blow. A scandal hit, shaking the foundation of my career and questioning the loyalty of those around me.

“It was in that storm that God began to uncover the truth. He exposed the fake friends, the pretenders, and the ones who had been silently sabotaging my peace and my circle. It was painful, but it was necessary.

“2024 was the hardest year of my life, but it was also the year God drew me closer to Him. Through the ashes, He taught me resilience, faith, and the true meaning of grace. I don’t take it for granted that I’m alive today. To everyone who stood with me, prayed for me, and held me up when I had no strength left, thank you.

“Here’s to God’s unwavering faithfulness. If 2024 taught me anything, it’s that even in the darkest valleys, His light never stops shining,” Mark Angel narrated.

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