Showbiz
FG Okays Barcode To Fight Piracy

The Federal Government has approved the use of barcode in Nigerian movies and music as a measure to protect intellectual properties from undue exploitation.
Minister of Information and Culture, Alhaji Lai Mohammed, gave this endorsement on Friday in Abuja when he received the Caretaker Committee of the Performing Musicians Employers Association of Nigeria (PMAN) led by its president, Pretty Okafor.
The Minister, who was responding to a request to that effect by PMAN, advised the association to also liaise with the Broadcasting Organisation of Nigeria (BON), the Nigerian Copyright Commission (NCC) and other regulatory bodies to ensure the success of the new measure.
He said the government was worried at the damage pirates do to the entertainment industry and that the President Muhammadu Buhari-led administration was doing everything possible to tackle the issue.
“You asked that we make a declaration making it illegal for NTA, FRCN and other radio and television stations from using any music or movie, which is not barcoded…I think what we should do is to work through the Broadcasting Organisation of Nigeria (BON), NCC and other regulatory bodies,” the Minister said.
Alhaji Mohammed decried how trillions of Naira is being lost through copyrights infringement and stressed the need to re-invigorate institutional structures to block areas of leakages in order to rake in more revenue for the government and also allow artistes to enjoy the fruits of their labour.
He also enjoined players in the creative industry to buy into the innovative ways the government is employing to fight piracy through the Digital Switch Over in broadcasting.
“I think you also have to buy into the new digitization programme of the Federal Government because that will be a more effective way to fighting piracy than what we have today…… When you release your work online then there are no CDs to pirate. If I want to buy I (must) pay and it comes straight to me,” he remarked.
The Minister said another advantage of the digital regime is the multiplicity of channels to broadcast content, thereby creating more demand for content.
He said the government is working to turn the creative industry into a viable economy and appealed for private sector investment in production and post-production studios as a deliberate effort to curb capital flight to countries with hi-tech production infrastructure.
“If you can convince the private sector on the viability of the creative industry, you are going to see change. What the private sector needs are figures, data and balance-sheet,” said Alhaji Mohammed.
The Minister also sought the support of PMAN towards the National Re-orientation Campaign of the Federal Government, tagged “Change Begins with Me,” which is to be launched soon, saying creative artistes are influential members of the society who can take the message of change in attitude to the various strata of society.
He agreed to partner with PMAN to organise a Creative Economy Conference with a view to bringing on board all stakeholders to brainstorm on the development of the industry.
In his remarks, Mr Okafor said the music industry is the biggest employer of labour in Nigeria with over 12 million people gainfully engaged.
He said according to a recent study, the nation’s creativity industry is worth N15 trillion, but that over N10 trillion is lost through national and global piracy.
He said government stands to earn N3 trillion annually in both Value Added Tax and taxable income through the introduction of systematic ways to track revenue accruing to the sector and curbing piracy.
Barcode is a machine-readable representation of data, which provides information about the objects that carry such codes.
In the movie and music industry, it can be used to separate original works from fake ones, thus preventing buyers as well as radio and television stations from patronizing pirated works.
Showbiz
Paramount+, HBO Max to Become One Streaming Entity After WBD Deal
By Adedapo Adesanya
Paramount+ and HBO Max will become a single, unified streaming service after Paramount Skydance stepped in to acquire Warner Bros. Discovery (WBD) following the surprise exit of Netflix from the bid.
The company’s chief executive officer (CEO), Mr David Ellison, announced during a call with investors on Monday that the company plans to merge Paramount+ and HBO Max into a single, unified platform.
“Our combined company will be home to many of the greatest, most recognisable and beloved franchises in the world, from ‘Harry Potter’ to ‘Top Gun,’ ‘Star Trek’ to ‘Looney Tunes,’ ‘Game of Thrones’ to ‘Yellowstone.’ This represents a tremendous opportunity, and we fully intend to invest in the creative engines of both studios, making them the most sought-after destination for the industry’s leading creative talent,” he said.
Mr Ellison also reassured investors that HBO’s identity and creative vision as a studio would remain unchanged.
“Our viewpoint is HBO should stay HBO.” He also committed to maintaining a robust theatrical slate, pledging 15 films per year, per studio, for a total of at least 30 annual theatrical releases.
This announcement comes on the heels of Paramount’s recent agreement to acquire WBD in a deal estimated at $110 billion. The merger would bring together a vast array of film, TV, and news assets under one corporate entity and is expected to upend the Hollywood landscape as we know it. It also furthers the trend of consolidation seen among other major streaming platforms, such as the combination of Disney+ and Hulu.
With a projected subscriber base of over 200 million, the new streaming service will be positioned as a serious contender among the top streaming giants.
However, the merger also invites close scrutiny from the US Department of Justice over concerns about media concentration and market competition.
Also, industry observers warn that the merger is likely to result in significant job cuts, heightening employee anxieties over layoffs and wage reductions.
There have also been concerns over editorial independence, particularly in light of the Ellison family’s political connections to Donald Trump and increasing scrutiny of newsrooms at CBS and CNN.
Regardless of the concerns, Mr Ellison was optimistic that the transaction would move forward smoothly.
He described the merger as “pro-competition, pro-consumer, and pro-creative community,” emphasising the transaction will “create a stronger Hollywood and global production ecosystem, one that expands consumer choice and unlocks opportunities for creative talent.”
Showbiz
Netflix Walks Away from Warner Bros Deal After Paramount’s Huge Offer
By Adedapo Adesanya
Streaming giant, Netflix, has backed away from its proposal to buy Warner Bros Discovery, clearing the way for Paramount Skydance to win the long battle for one of Hollywood’s most storied studios in a deal worth over $100 billion.
Warner Bros, which announced it was up for sale last year, said Paramount’s latest bid was “superior” to the one from Netflix, which in turn refused to raise its offer.
Paramount, which has been insistent regarding the deal, would also need approval from the US Department of Justice as well as European regulators.
Netflix executives say they have declined to match Paramount’s bid as “the deal is no longer financially attractive” at that price.
The buyer would gain control of the iconic studio along with its films and media networks.
The takeover has been touted to significantly reshape the global media landscape, which includes the streaming market.
Last December, Warner Bros agreed to a takeover offer from Netflix for some of its assets, in a deal worth roughly $82 billion, including debt.
Paramount then made a rival proposal, which was refused by Warner Bros, but an increased offer was made earlier this week, boosted by $1 per share.
“The transaction we negotiated would have created shareholder value with a clear path to regulatory approval,” Netflix co-chief executives Ted Sarandos and Greg Peters said in a statement. “However, we’ve always been disciplined.”
“This transaction was always a ‘nice to have’ at the right price, not a ‘must have’ at any price,” the Netflix executives added.
The announcement came just hours after Mr Sarandos had visited the White House on Thursday.
The development marks the possible end of the saga that saw offers and refusals and could possibly change the global streaming market as Paramount is backed by some of the biggest names in the industry, including Oracle owner, Mr Larry Ellison.
Showbiz
Why Wildlife Shows Hook Us: The Allure of NatGeo Wild
There is something undeniably captivating about wildlife documentaries. The moment a predator locks eyes with its prey, the awe of seeing animals in their natural habitat, the thrill of nature’s drama playing out in real time. These are experiences that rein us in and refuse to let go. NatGeo Wild doesn’t just show the wild; it invites us to feel it, understand it, and marvel at it.
What is it about the wild that keeps pulling us back, no matter how many times we watch?
The Explorer in All of Us
At our core, we are wired much like the animals we watch. Curiosity drives us the way it drives a leopard to investigate a sound in the distance. Wildlife shows activate that instinct. We scan scenes like hawks from above, reading body language, anticipating danger, noticing subtle shifts in behaviour. In these moments, we’re more than viewers; we’re explorers, investigators, and sometimes even adventurers.
It’s a way to witness danger safely. A way to test our instincts and a way to connect with the power and beauty of the natural world, all from the comfort of home.
The Comfort of Nature’s Stories
Nature may be ruthless, but it is rarely random. Like a herd moving in rhythm or a pack operating with purpose, wildlife shows follow a structure we instinctively understand: predator and prey, threat and escape, loss and resilience.
Within a single episode, chaos settles into balance. Even in harsh environments, there is order just as there is in the wild. That predictability offers comfort, reminding us that survival follows rules, patterns, and rhythms older than humanity itself.
NatGeo Wild Shows That Keep Us Glued to the Screen
Over the years, NatGeo Wild has mastered the art of storytelling that moves like nature itself, quiet when it needs to be, explosive when it matters most. These are not just documentaries; they are immersive experiences that sharpen the senses and stir instinct.
Africa’s Deadliest
Step into the African wilderness, where survival is a daily contest of speed, strength, and strategy. Africa’s Deadliest introduces us to predators that hunt with the patience of chess players and the precision of seasoned warriors. From crocodiles lying in wait beneath murky waters to lions coordinating attacks across the savannah, each episode breaks down how instinct, timing, and dominance decide who eats and who doesn’t.
Wild, Smart and Deadly
Wild, Smart and Deadly is where brains meet brawn in the animal kingdom. This series delves into the intelligence behind nature’s deadliest hunters, showcasing creatures that use strategy, cunning, and sheer wit to survive. From octopuses escaping predators with mind-blowing tricks, to predators setting up elaborate ambushes, every episode reveals how survival in the wild is a high-stakes chess game. Watching it feels like witnessing nature’s most elite tacticians at work, where one smart move can mean the difference between life and death.
Born in Africa
In the wild, birth is only the beginning. Born in Africa follows young animals from their first breath into a world that offers no mercy. Every stumble, chase, and lesson learned is part of a race against time. From a giraffe learning to stand within minutes to lion cubs discovering the rules of dominance, the series captures vulnerability, growth, and resilience in its purest form.
Wild Mediterranean
The Mediterranean may look serene, but beneath its surface lies a battlefield of survival. Wild Mediterranean uncovers a world where predators hunt in crystal waters and creatures adapt to shifting coastlines and hidden dangers. From dramatic underwater pursuits to life along rugged shores, the series reveals a region shaped by adaptation, resilience, and quiet ferocity.
Hostile Planet
Here, nature shows no mercy. Hostile Planet explores environments so extreme they feel uninhabitable, yet life persists. Animals endure freezing tundras, scorching deserts, and violent storms, adapting in ways that defy belief. Every episode is a testament to resilience, revealing how instinct, evolution, and sheer willpower allow life to survive against impossible odds.
These shows captivate because they do more than entertain; they educate, inspire, and transport us into worlds we’d rarely get to see otherwise. Every episode is an invitation to explore, learn, and marvel at the wonders of nature.
Catch all these incredible wildlife stories on NatGeo Wild, GOtv Channel 100.
Subscribers can also enjoy more value with the We Got You offer, available until 28th February 2026. Pay for your current package and automatically get upgraded to the next one at no extra cost, giving access to more channels, more shows, and more moments like these.
To subscribe, upgrade, or reconnect, download the MyGOtv App or dial *288#. You can also stream anytime with the GOtv Stream App.
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