Showbiz
FG Okays Barcode To Fight Piracy

The Federal Government has approved the use of barcode in Nigerian movies and music as a measure to protect intellectual properties from undue exploitation.
Minister of Information and Culture, Alhaji Lai Mohammed, gave this endorsement on Friday in Abuja when he received the Caretaker Committee of the Performing Musicians Employers Association of Nigeria (PMAN) led by its president, Pretty Okafor.
The Minister, who was responding to a request to that effect by PMAN, advised the association to also liaise with the Broadcasting Organisation of Nigeria (BON), the Nigerian Copyright Commission (NCC) and other regulatory bodies to ensure the success of the new measure.
He said the government was worried at the damage pirates do to the entertainment industry and that the President Muhammadu Buhari-led administration was doing everything possible to tackle the issue.
“You asked that we make a declaration making it illegal for NTA, FRCN and other radio and television stations from using any music or movie, which is not barcoded…I think what we should do is to work through the Broadcasting Organisation of Nigeria (BON), NCC and other regulatory bodies,” the Minister said.
Alhaji Mohammed decried how trillions of Naira is being lost through copyrights infringement and stressed the need to re-invigorate institutional structures to block areas of leakages in order to rake in more revenue for the government and also allow artistes to enjoy the fruits of their labour.
He also enjoined players in the creative industry to buy into the innovative ways the government is employing to fight piracy through the Digital Switch Over in broadcasting.
“I think you also have to buy into the new digitization programme of the Federal Government because that will be a more effective way to fighting piracy than what we have today…… When you release your work online then there are no CDs to pirate. If I want to buy I (must) pay and it comes straight to me,” he remarked.
The Minister said another advantage of the digital regime is the multiplicity of channels to broadcast content, thereby creating more demand for content.
He said the government is working to turn the creative industry into a viable economy and appealed for private sector investment in production and post-production studios as a deliberate effort to curb capital flight to countries with hi-tech production infrastructure.
“If you can convince the private sector on the viability of the creative industry, you are going to see change. What the private sector needs are figures, data and balance-sheet,” said Alhaji Mohammed.
The Minister also sought the support of PMAN towards the National Re-orientation Campaign of the Federal Government, tagged “Change Begins with Me,” which is to be launched soon, saying creative artistes are influential members of the society who can take the message of change in attitude to the various strata of society.
He agreed to partner with PMAN to organise a Creative Economy Conference with a view to bringing on board all stakeholders to brainstorm on the development of the industry.
In his remarks, Mr Okafor said the music industry is the biggest employer of labour in Nigeria with over 12 million people gainfully engaged.
He said according to a recent study, the nation’s creativity industry is worth N15 trillion, but that over N10 trillion is lost through national and global piracy.
He said government stands to earn N3 trillion annually in both Value Added Tax and taxable income through the introduction of systematic ways to track revenue accruing to the sector and curbing piracy.
Barcode is a machine-readable representation of data, which provides information about the objects that carry such codes.
In the movie and music industry, it can be used to separate original works from fake ones, thus preventing buyers as well as radio and television stations from patronizing pirated works.
Showbiz
Creative Industry Unites as MultiChoice Nigeria Leads Walk Against Piracy
The fight against content theft intensified on Thursday as MultiChoice Nigeria led stakeholders in a Walk Against Piracy from Ikeja City Mall, Lagos, drawing a powerful mix of Nollywood actors, filmmakers, directors, writers, media personalities, regulators, students, and members of the public.
The walk was part of a broader national advocacy campaign aimed at protecting Nigeria’s creative economy from the escalating damage of piracy. Participants marched through the Ikeja axis, distributing flyers, engaging passers-by, and educating the public on the dangers of piracy and its impact on livelihoods.
Veteran actor, Saidi Balogun, one of the leading voices at the walk, described piracy as “a silent killer draining the lifeblood of the creative industry.”
“People see the glamour but forget the sweat, months of work, and the hundreds of jobs behind a single film,” he said. “When you pirate a movie, you are killing someone’s dream, someone’s job, and the future of an entire industry. It must stop.”
Screenwriter and producer, Obi Emelonye, warned that piracy poses an existential threat to the next generation of creatives.
“Piracy is a menace eating deeply into the industry. If we do nothing, young creatives coming behind us will inherit an economy with no structure, no revenue, and no incentive to create,” he stated. “We cannot allow that future.”
The regulatory perspective came from Charles Amudipe, Deputy Director of Operations at the Nigerian Copyright Commission (NCC), who emphasised both the legal and personal risks tied to piracy.
“Piracy is a criminal offence under Nigerian law, punishable by fines and imprisonment,” he said. “Beyond the legal consequences, consumers who download illegal content expose their devices to malware, identity theft, and financial fraud. It is not worth the risk.”
During the outreach, members of the public raised questions about affordability and alternatives to pirated content. The team responded by highlighting accessible, cost-friendly, and legal platforms available to consumers, underscoring that entertainment can be enjoyed responsibly without breaking the law.
Caroline Oghuma, Executive Head, Corporate Affairs at MultiChoice Nigeria, explained that the walk was a continuation of MultiChoice’s long-standing commitments to consumer education. Last month, the company led a school sensitisation programme at Kuramo Senior College in Victoria Island, teaching students how piracy harms creators and how they can unknowingly participate in it.
“We want to catch them young, take this message into communities, and meet Nigerians where they are,” Oghuma said. “Today’s walk is a reminder that protecting intellectual property is everyone’s responsibility. What we are fighting for is the survival of Nigeria’s creative future.”
Other notable participants included members of the Intellectual Property Law Advocacy Network (IPLAN), lawyers, media executives, content creators, and fans of Nigerian entertainment.
MultiChoice Nigeria reaffirmed its commitment to working with regulators, industry bodies, and stakeholders to champion policies, education, and enforcement mechanisms that safeguard creative work and ensure creators receive fair reward for their labour.
Showbiz
Veteran Nigerian Actor Lere Paimo Alive—ANTP
By Modupe Gbadeyanka
The Association of Nigeria Theatre Arts Practitioners (ANTP) has debunked viral news reports that that the chairman of its board of trustees, Mr Olalere Osunpaimo, well known as Lere Paimo, was dead.
In a public notice from the national Public Relations Officer (PRO) of the organisation, Mr Adejonwo Oluwafemi Femson, it was disclosed that the veteran action is “alive and well.”
Members of the public were advised to disregard the death rumour.
“We would like to inform the public that reports circulating on Facebook about the passing of Chief Olalere OsunPaimo (MFR) are FALSE.
“We have confirmed with Baba Eda Onile Ola’s wife that he is alive and in good health.
“Please disregard these false reports and be aware that they are being spread by unscrupulous individuals.
“Chief Olalere OsunPaimo (MFR), Chairman Board of Trustee Association of Nigeria Theatre Arts Practitioners (ANTP), is alive and well.
“We urge everyone to verify information before sharing to avoid spreading misinformation,” the notice disclosed.
Showbiz
Nivea, inDrive Sponsor TikTok’s 2025 Sub-Saharan Africa Awards
By Modupe Gbadeyanka
The duo of Nivea and inDrive has been announced as the title sponsors of TikTok’s 2025 Sub-Saharan Africa Awards, while Coca-Cola, Dis-Chem and PEP Stores are the category sponsors.
As title sponsors, inDrive and NIVEA (Beiersdorf) will play key roles in amplifying creator recognition, supporting event experiences, and on-the ground activations.
NIVEA (Beiersdorf) will sponsor the Creator of the Year award, while inDrive will present the Storyteller of the Year award, both reflecting a shared passion for innovation, inclusivity and celebrating African voices making a global impact.
In addition, Coca-Cola is sponsoring Food Creator of the Year award, Dis-Chem is for the Social Impact Creator of the Year award, and PEP Stores is for the Entertainment Creator of the Year award.
This year’s event is slated for Saturday, December 6. It would be used to celebrate the continent’s most inspiring and innovative creators who are using the platform to educate, entertain, and empower their communities.
“We are delighted to partner with TikTok, as we share a long-standing relationship across the globe, including in the Sub-Saharan region. TikTok is a unique platform that enables us to engage with young audiences in a language and format that truly resonates with them.
“We extend our gratitude to the company for organizing The 2025 TikTok Awards Sub-Saharan Africa and congratulate all guests and participants on this remarkable event,” the Marketing Lead of inDrive Africa, Mikita Ponarin, stated.
“TikTok is proud to partner with great local and regional brands that support Africa’s creative economy. What excites us about these partnerships is the shared vision.
“These brands are making a conscious choice to invest in African creativity at a pivotal moment. They see what we see: that when we uplift creators, we strengthen entire communities and economies across the continent,” the Head of Content Operations for Sub-Saharan Africa,” Boniswa Sidwaba, said.
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