Showbiz

Forces of Change in the Creative Industries – Going Beyond Tech

Published

3 years ago

06/06/2023

By Amine Djouahra

As we are nearing the end of the first half of 2023, we have all become more comfortable with change and disruption. Whether it is the pandemic, environmental factors, unstable global economic conditions, or tech evolution, we have learned to bounce back quickly. One industry that has had to be particularly agile during the past few years is the filmmaking industry.

Canon’s new report (written in conjunction with The Future Laboratory) – The Future of Filmmaking, reveals the industry’s efforts to be a catalyst of change that inspires the creative industry to transform its narrative and to shine its spotlight on topics that will be significant in shaping the future of our world, and that of the African continent.

Interestingly, the report sheds light on the human landscape and its power to create, cultivate, and drive change. The power of people ultimately makes things happen and pushes us toward progress and advancement in any industry. The report highlights four crucial aspects that may be driven by tech but not necessarily led by tech. In my view, these are significant factors directly proportional to the content creation and filmmaking industries and will undoubtedly shape the future of these industries.

Rise of the Creative Class

According to the UNESCO report, global cultural and creative industries (CCIs) are estimated to generate about $2.25 trillion annually, which accounts for 3% of the global GDP and employment of around 30 million people worldwide. It is fascinating to see the rise of this creator economy, which the report identifies as the “New Creative Class”. As we witnessed an unprecedented boom in digitalisation over the last 10 years, this creative class sprang into action using technologies to deliver a fresh and novel take on content creation.

If we lens in on the African continent, which is closer to home and more interesting to me, we see some remarkable trends in the creative economy. In Nigeria, as this report shows, the sector employs 4.2 million people and is expected to employ a further 2.7 million by 2025, an increase of more than 50% in the next two years.

Despite the significant contribution made by the new creative class toward societal and economic progress, there still seems to be a gap in recognition compared to other industries. The emerging community of content creators is striving to achieve fair working conditions, equitable payment models, and new standards in the industry that reflect their value and contributions. This is a positive development for the creative sector in its rightful plea to be recognised and treated fairly compared to other industries.

Stay Local

The explosion of digital technologies may have given us the power to do anything from anywhere, but like all things, too much of anything is not always good and has its consequences. An interesting trend emerged with the plethora of content choices that suddenly became available for audiences to consume worldwide. People slowly started taking their eyes off the global stage and shifted their gaze towards local and homemade content that told stories of their land and their people.

Given our natural desire as humans to find meaning, connectivity, and relatability, the narrative of authentic stories led independent storytellers, documentary-makers, content creators, and filmmakers to explore topics that local people resonate with. So, it’s no surprise that global streaming giants like Netflix and Disney are investing in Africa to tap the unexplored potential and talent. The report encapsulates the essence of the ‘Stay global, go local’ movement and asserts that media organisations and creative firms will progressively be compelled to shift sight closer to home when it comes to entertainment and content production.

Conscious Consumption

The current climate crisis affects us all, no matter which industry or walk of life we come from. The severity of climate change needs to be taken seriously globally, and genuine efforts must be made for scaled initiatives to reduce our carbon footprints. The streaming industry is no exception to this; the carbon impact of the industry drastically needs to be reduced by adopting a more sustainable approach towards this issue.

The report underpins the significance of consumer demand as a key driver toward adopting sustainable practices and better industry standards. With people gaining more awareness about the environmental impact of their consumption choices, they are likely to demand pro-environmental practices, thus compelling the industry to adopt a pro-active approach towards sustainability.

Inclusive Innovation

The Future of Filmmaking report highlights the positive development of inclusivity and diversity. It emphasises that the new creative class is at the forefront of inclusivity and is not afraid to challenge the already-established broadcasters. This new generation of creators identifies technology to harness change and propel social progress. Decentralisation will be a key trend touching every area of the industry, from financing to licensing and distribution and more, creating new opportunities for the underrepresented creators and bringing them closer to their fans.

Continuing the Legacy of Storytelling

These trends are a wake-up call to many in the industry to pay attention to the changing needs of people and to evolve with them. However, we must always return to the basics and remember the importance of telling stories. While these trends affect the industry by and large, the shifts create more freedom for storytellers to come forth and tell their stories in unique and inspiring ways, enabling them to create content that is responsive to the tastes, locations, and ethics of their audiences in a way that has never been possible before.

All in all, the report tells me that this is an exciting time to be a creator, with the industry opening its doors to new opportunities that reflect change, growth, development, and progress.

Amine Djouahra is the B2C BU Director for Canon Central & North Africa

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AMVCA 2026 Update: Host, Voting and What to Expect

Published

2 days ago

02/04/2026

Business Post Contributor

As anticipation builds for the 12th edition of the Africa Magic Viewers’ Choice Awards(AMVCA), the conversation has officially shifted from speculation to action. With nominees unveiled and voting now open, this year’s awards are shaping up to be one of the most competitive and expansive yet, featuring a record number of films and talent from across the continent. From established stars to emerging voices in African cinema, the AMVCA continues to celebrate excellence in storytelling, technical craft, and cultural impact, reinforcing its position as one of the most influential platforms for African creativity.

Host & Jury:

While the official host for the main awards night is yet to be confirmed, the nominations announcement was led by Chimezie Imo, offering a first glimpse into the tone of this year’s event. On the adjudication side, veteran actress Joke Silva leads as Head of Jury. Her role underscores the awards’ continued emphasis on credibility, with a panel tasked with evaluating technical excellence, storytelling depth, and overall craft across non-voting categories.

Voting: How It Works

One of the defining features of the AMVCAs is its hybrid voting system, and 2026 is no exception. Out of the total 32 categories, 11 are open to public voting, giving audiences a direct role in deciding key outcomes, while 18 categories are determined by the jury alongside special recognition honours. Voting is conducted through the official Africa Magic platform, where registered users can select their preferred nominees and cast up to 100 votes per platform.

Voting for this year officially opened on March 29, 2026, giving audiences enough time to vote for their favourites. The window will close on April 26, 2026, after which attention shifts to the main awards night, scheduled for May 9, 2026.

Leading Names & Notable First‑Timers

This year’s nominations reveal clear frontrunners. Films like The Herd, Gingerrr, and My Father’s Shadow lead the nominations, highlighting a rising preference for ambitious, high-concept storytelling. Actor Lateef Adedimeji stands out with three nominations, making him the most nominated actor for the year, highlighting his range across both lead and supporting roles.

The 2026 list also includes notable first‑time nominees. Popular Content Creator and actress Kidaby earned her first nomination for her performance in Oversabi Aunty, and Ariyike Owolagba received her first nod for her role in Something About the Briggs, signalling the emergence of new talent within the industry.

In addition to competitive categories, the awards will present special recognition honours, such as the Lifetime Achievement Award and the Trailblazer Award, acknowledging industry veterans and breakthrough achievements.

What Feels Different This Year

Beyond the usual red carpet glamour and viral moments, AMVCA 2026 reflects a broader shift in focus. There is more intentional representation across the continent, with categories such as Best Indigenous Language (North Africa and Central Africa) highlighting a wider African storytelling ecosystem, rather than the usual strongholds. This signals a deliberate push to capture the continent’s linguistic and cultural diversity.

This edition represents a significant milestone for the industry, with Diageo featuring brands like Guinness serving as the full portfolio sponsor, while premium tequila brand Don Julio headlines as the main sponsor. Their involvement highlights AMVCA’s expanding role as a premier celebration of African creativity.

AMVCA 2026 is more than just another awards season; it shows the current pulse of African cinema. From how voting is structured, to the jury making the calls, to the wide range of nominated films and emerging talent, it’s clear the industry is evolving: more inclusive, more participatory, and shaped as much by audiences as by creators.

With voting now open, the results won’t just reflect the opinions of industry experts; they will also carry the voice of viewers from across the continent, making this year’s awards truly a celebration of African storytelling.

Showbiz

Wura S4, Dividends, And Other Shows To Stream This Long Holiday

Published

2 days ago

02/04/2026

Rahma Ahmed

Easter is here, and whether you are spending the long weekend with family, friends or simply enjoying some well-deserved solo downtime, there is no shortage of great shows to keep you entertained. From gripping African drama to timeless animated classics, this holiday weekend has something for every mood and every member of the family.

The best part? We have done the work for you. Here are five shows worth watching this Easter, from binge-worthy Nigerian television and epic historical documentaries to beloved family favourites, all available to stream on DStv Stream.

Wura S4 — Africa Magic Showcase & Africa Magic Family

After three seasons of betrayal, manipulation, and bloodshed, Wura is back, and Season 4 may be its most dangerous chapter yet. The critically acclaimed telenovela returns with Scarlet Gomez as Wura Amoo Adeleke, a ruthless matriarch now haunted by guilt and surrounded by enemies on all sides.

Directed by Rogers Ofime, the new season finds Wura’s carefully built empire cracking under the weight of secrets and relentless pressure, as alliances shift, loyalties crumble, and the Adeleke dynasty teeters on the brink of collapse. Family-friendly and thoroughly addictive.

Catch the new episodes every weeknight at 8 pm on Africa Magic Showcase (DStv Channel 151, GOtv Channel 8) and at 8:30 pm on Africa Magic Family (DStv Channel 154, GOtv Channel 7). Episodes 1 – 3 are currently available to stream on DStv Stream.

Dividends — Africa Magic Showcase

What happens when the promise of “double your money” collides with the brutal realities of everyday survival? Africa Magic’s newest dramedy, Dividends, answers that question with sharp wit and painful relatability.

The show that premiered on March 30, 2026, dives into the chaotic aftermath of a collapsed Ponzi scheme, following three strangers whose lives unexpectedly collide in the wreckage.

Dividends airs on Africa Magic Showcase (DStv Channel 151) from Mondays to Wednesdays at 8:30 PM WAT, with episodes also available via DStv Stream and GOtv platforms.

Gladiators: Warriors of the Ancient World — National Geographic

This six-part National Geographic documentary series wraps up with a finale worthy of the arena. Gladiators: Warriors of the Ancient World chronicles the lives of Rome’s greatest fighters, from Spartacus’s defiant rebellion to Flamma’s ultimate sacrifice, exposing how bloodsport shaped Roman power, culture, and identity.

Packed with vivid dramatisations and sharp historical depth, Episode 6 brings this brutal, fascinating world full circle, revealing how the rise and fall of gladiatorial combat left a permanent mark on an empire built on violence and glory. The episodes are available for streaming on DStv Stream.

Twist of Fate: New Era — Zee World (DStv 166)

Fans of high-stakes romance and family drama will find plenty to love in Twist of Fate: New Era. Acting as a continuation of the beloved Kumkum Bhagya story, this Indian telenovela now follows Purvi Kohli, daughter of Prachi and Ranbir, as she navigates a turbulent marriage to the complicated Rajvansh “RV” Malhotra.

With a scheming rival in Monisha and a family determined to tear them apart, Purvi’s journey is one of love tested at every turn. Emotional, dramatic, and thoroughly binge-worthy. Watch all episodes of Twist of Fate on DStv Stream.

The Prince of Egypt

No Easter watchlist is complete without The Prince of Egypt. This animated musical masterpiece retells the story of Moses, from his privileged life as Egyptian royalty to his extraordinary calling as the liberator of an enslaved people.

When Moses discovers his true identity as a Hebrew, he must confront his adoptive brother Pharaoh Rameses, setting in motion a story of faith, sacrifice, plagues, and the iconic parting of the Red Sea. With stunning animation and themes that align perfectly with the Easter season, it is the ultimate family watch for the holiday weekend.

This Easter, skip the scroll and go straight to the good stuff. From nail-biting Nigerian dramas to family-friendly classics, there is something for everyone on DStv Stream.

Showbiz

AMVCA 12 Nominee List is a Wake-Up Call for the Film Industry

Published

3 days ago

01/04/2026

Business Post Contributor

The nominee announcement on Sunday has officially kicked off the countdown to the 12th AMVCAs, and as expected, the conversation is split between celebration and the inevitable debate over who didn’t make the cut. While previous years were often dominated by a few blockbusters with double-digit nominations, the 2026 field is defined by how spread out the talent is. With Gingerrr and The Herd leading with nine nominations each, and To Kill A Monkey following with eight, the race to May 9th is wide open. This year’s list shows a clear shift in how African cinema is being viewed. While the AMVCAs have always stood for excellence, this 12th edition has moved toward a much stricter evaluation of craft that looks past how popular a project is on social media.

Under the leadership of veteran actress Joke Silva as Head Judge, the message from the organisers is clear: the bar for entry has become more specialised. In an era where trending on social media is often mistaken for technical brilliance, the AMVCAs is looking deeper into the structural integrity of the work. This explains the takes currently fueling debates online. While a project might dominate the cultural conversation for months or break box office records, the jury’s mandate, backed by the auditing rigour of Deloitte, is to look past the viral numbers and focus on the technical blueprints. A film can be a massive audience success and still find its lighting, sound design, or screenplay structure measured against a new, more rigorous professional rubric.

Out of the 32 categories this year, 18 are now strictly decided by the jury, including the major Best Lead Actor and Best Lead Actress awards. This change moves the recognition of acting talent away from the emotional pull of public voting and puts it into the hands of industry experts. For the stars and directors who didn’t find their names on the list, it isn’t a comment on their talent, but a reflection of a very tight field where there is almost no room for error. The fact that acting awards now sit alongside technical categories like cinematography and editing proves that the Academy is rewarding the quality of the work just as much as the fame of the person.

As voting opens for the remaining 11 public-choice categories ahead of the May 9th ceremony, the tension surrounding the list is actually a sign of industry health. It proves that the volume of high-quality African storytelling has reached a point where being a fan favourite is no longer a guarantee of a trophy.

By prioritising technical precision over social media sentiment, the AMVCAs are forcing a necessary evolution. On May 9, the statues will be handed out, but the real takeaway from Sunday is that Nollywood has moved into an era where the craft must finally match the hype.